CUNNINGHAM, a 3D cinematic experience about legendary American choreographer Merce Cunningham is set to be released in cinemas across the UK and Ireland from 13 March 2020, following the Merce Cunningham centenary this year.
Directed by Alla Kovagan for Dogwoof, the film follows Merce’s artistic evolution over three decades of risk and discovery between 1944–1972, from early years as a struggling dancer in postwar New York to his emergence as one of the most visionary and influential choreographers in the world. Misunderstood and rejected by the dance world of his time, Merce persevered against all odds and developed a new dance technique and a new way of thinking about making dance performances in collaboration with composer John Cage and visual artist Robert Rauschenberg.
Rooted in both imaginary realms and actual life experiences, the film features
excerpts from Cunningham’s works, re-imagined for 3D cinema at interior and exterior locations. The precise choreography of the camera will allow viewers to “step inside the dance”; and the archival materials (16mm/35mm footage, audio, and photographs) evoke the charged atmosphere of the time, while Merce’s own diagrams and drawings provide insight into his creative process. 3D technology weaves all the elements together, creating a moving and visceral journey through Merce’s world.
Alla Kovagan, Director, said: “I never imagined working with Merce’s choreography on film because of the complexity of his choreographic structures and his infinite explorations in time and space. 3D offers interesting opportunities as it articulates the relationship between the dancers in and to the space. Merce and 3D represent an idea fit, not only because of his use of space but also because of his interest in every technological advancement of his time and his willingness to adapt and work in unconventional settings/locations. It became clear to me that even back in the 1950s, before Merce developed the idea of an “event,” he had been longing to create immersive environments for his dances. Today, 3D allows for his dream to come true.”
Jennifer Goggans, Director of Choreography said: “There is a certain poignancy in hearing Merce’s voice for those of us that knew and worked with him. But beyond that trigger of emotion is the fact that he and his early collaborators and dancers tell the story, in their own voices, which gives a weight and power to this film that is undeniable. The archival materials that Alla uncovered in her research are simply stunning and the live action scenes bring Cunningham’s dances into the present tense, displaying how truly ahead of his time he was as an artist. But what touched me most of all, was being reminded of the perseverance and determination of everyone involved in the formative years of the company and Cunningham’s openness to the generations that followed. It is an honor to be part of this history and to be able to share his work once again on such a large scale.”
The full creative team on the film is made up of Alla Kovgan (Director & Writer), Jennifer Goggins (Director of Choreography, US), Robert Swinson (Supervising Director of Choreography, US), Joséphine Derobe (Director of Stereography, France), Mko Malkhasyan (Director of Photography, Us/Armenia), Hauschka (Volker Bertelmann) (Composer, Germany) and Mieke Ulfig (Archival Sequences Designer, Germany).
