• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2018

Edinburgh Preview: Baby Face at Summerhall (Demonstration Room)

by Theatre Weekly
June 12, 2018
Reading Time: 2 mins read
Baby Face - courtesy of Daniel Hughes

Baby Face - courtesy of Daniel Hughes

Hey Baby! Welcome to a world of knee socks, bunches, lollypops, bubble-gum and models adopting the childlike expressions of six-year-old girls. In this brave and outlandish performance, Katy Dye questions if innocence is truly as sexy as we’re told. Baby Face – winner of The Autopsy Award 2018 – explores the infantilisation of adult women; it is a daring look into the paradox of living in a society that continues to infantilise women.

We live in a world where we are frequently exposed to images of women who are made to look like little girls – paradoxical considering that paedophilia is explicitly condemned, yet the sexualisation of children and women as childlike is so apparent.

In Baby Face the audience enter a strange world, where a grown woman shape shifts from adult, to teenager, to toddler, to baby. This is a world where cutesy tunes trill, bubblegum pops and your ‘Heart Belongs to Daddy’. Here, the performer dances awkwardly in a schoolgirl fetish outfit, hardly being able to stretch her foot through a three year olds pink leggings.

       

The audience suck on lollypops as they listen to an interview where Calvin Klein describes the desirability of Kate Moss’s ‘child woman’ quality. As the babyish world the performer has created caves in around her, she also navigates the uncomfortable line between wanting to be cared for and being infantilised. In a cloud of talcum powder, strange mixed messages hang in the air. Baby Face is an exposure of our contradictory society when it comes to women’s bodies and how they are treated.

Katy Dye comments, “Baby Face is a playful and irreverent take on the infantilisation of women. Paedophilia is not ok yet fetishised images of women as pre-pubescent are. As an adult who has physical childlike attributes, I was interested in becoming the infantilised images I have seen throughout my life, to find out the physical and emotional impact of this. The show blends  comedy and visually striking performance to ask difficult questions about the moral conscience of society.”

You mightalso like

Pianes Plough Season image supplied by publicist

Paines Plough Announces Consumed and Ordinary Decent Criminal for Edinburgh Festival Fringe and UK Tour

June Carter Cash The Woman Her Music and Me Production Photography photo credit Sally Jubb

Edinburgh Review: June Carter Cash: The Woman, Her Music and Me at Summerhall

Baby Face is at Summerhall (Demonstration Room).

Buy Tickets

Theatre Weekly

Theatre Weekly

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Pianes Plough Season image supplied by publicist
News

Paines Plough Announces Consumed and Ordinary Decent Criminal for Edinburgh Festival Fringe and UK Tour

June Carter Cash The Woman Her Music and Me Production Photography photo credit Sally Jubb
Edinburgh Fringe 2024

Edinburgh Review: June Carter Cash: The Woman, Her Music and Me at Summerhall

Bryony Byrne in Fan Girl at Demonstration Room, Summerhall, credit Stefan Willhoit
Edinburgh Fringe 2024

Edinburgh Review: Fan/Girl at Summerhall

REVENGE After the Levoyah Poster Image Dylan Corbett Bader & Gemma Barnett Credit Christa Holka
Edinburgh Fringe 2024

Edinburgh Review: REVENGE: After the Levoyah at Summerhall

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

After The Act Royal Court Theatre credit Alex Brenner

Review: After The Act at Royal Court

Dracapella image supplied by publicist

Dracapella Leads Park Theatre’s Upcoming Season Announcements

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly