An iconic musical meets an iconic stage in a dazzling and faithful interpretation of Fiddler on the Roof at Regent’s Park Open Air Theatre, bringing the timeless tale to life under the stars. With a spectacular opening and a contemplative ending, this production will satisfy both hardcore musical fans and casual theatregoers alike.
The show deserves a round of applause for its visual aspects. Authentic costumes and discreet yet effective stage design by Tom Scutt blend seamlessly with the Regent’s Park scenery, making the performance immersive and enchanting.
While solo performances stand out — particularly Laura Pulver, a winner of the 2016 Best Supporting Actress in a Musical, as Golde, and the effortless Liv Andrusier as Tzeitel — the ensemble numbers are the true highlights. The community spirit of the Jewish village Anatevka is captured beautifully, especially in the collaborative performances of the opening “Tradition” and “The Wedding,” with a daring bottle dance choreography inspired by Jerome Robbins.
Act One feels a bit slow-paced compared to Act Two, and some speaking scenes detract from the musical and dancing brilliance of the show. Despite its serious themes, Fiddler on the Roof still aspires to be funny. While some jokes land better than others, the show delivers authentic and effortless entertainment.
Adding to the magic, Raphael Papo, a professional violinist based between London and Berlin, delivers a captivating performance as the fiddler on the actual roof. His live music adds an extraordinary layer to the production, enhancing its emotional and cultural depth.
Most importantly, this Fiddler on the Roof remains relevant. It explores universal themes of love, religion, tradition, faithfulness to beliefs, and family, while presenting a poignant portrayal of displacement, prejudice, and belonging — issues painfully relevant in today’s political landscape in the UK. As Tevye says, “Some things will never change.” By addressing these enduring themes, the production not only honours the original work but also resonates deeply with contemporary audiences.
