• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Tracie Bennett will star in How to Succeed in Business Without Really Trying

by Staff Writer
March 21, 2023
Reading Time: 3 mins read
Tracie Bennett will star in How to Succeed in Business Without Really Trying

Tracie Bennett will star in How to Succeed in Business Without Really Trying

Double Olivier Award winner, four-time Olivier Award nominee and Tony Award nominee Tracie Bennett will star in How to Succeed in Business Without Really Trying at Southwark Playhouse, playing the big boss J.B.Biggley.

Last seen in London as Carlotta in the National Theatre production of ‘Follies’, Tracie Bennett recently played Alice in ‘Hangmen’ on Broadway and starred as Mame in ‘Mame’ at Hope Mill Theatre.

She is also well known for playing the role of Sharon Gaskell in ‘Coronation Street’ from 1982 to 1984, returning to the role in 1999 and again in 2021.

       

Among her many musical theatre starring roles, she received two Olivier Awards for Best Supporting Role in a Musical for her performances in the musicals ‘She Loves Me’ and ‘Hairspray’ with additional nominations for her work in ‘High Society’ and ‘Follies’. She was also nominated for the Olivier Award for Best Actress in a Musical as Mrs Henderson in ‘Mrs Henderson Presents’, while her performance as Judy Garland in ‘End of the Rainbow’ earned her an Olivier nomination for Best Actress in a Play and a Tony Award nomination in the same category when the production transferred to Broadway.

Director Georgie Rankcom said: “Our approach to this wonderful show is to trust the brilliant original and let the satire shine. To find the best possible company to tell this story, we expanded our ideas of who can play and embody these roles. When you’re looking for someone with the charisma and  power to be the high powered boss with a flare for the occasional musical number, Tracie Bennett quickly becomes the top choice. I’m honoured and excited to be working with her on bringing this new version of ‘How to Succeed’ to the stage.”

You mightalso like

The cast of Here We Are. Photographer Marc Brenner

Review: Here We Are at The National Theatre (Lyttleton), London

Cast of Brixton Calling image supplied by publicist

Max Runham and Tendai Humphrey Sitima Star in World Premiere of Brixton Calling

‘How to Succeed in Business Without Really Trying’ is a comic gem that took Broadway by storm in 1961, winning both the Tony Award for Best Musical and a Pulitzer Prize. It was revived twice on Broadway in acclaimed productions starring Matthew Broderick and Daniel Radcliffe.

A satire of big business and all it holds sacred, it follows the rise of J. Pierrepont Finch, who uses a little handbook called How to Succeed in Business without Really Trying (voiced in the Southwark production by Michelle Visage of ‘Ru Paul’s Drag Race’ fame) to climb the corporate ladder from lowly window washer to high-powered executive, tackling such familiar but potent dangers as the aggressively compliant “company man”, the office party, backstabbing co-workers, caffeine addiction and, of course, true love.

‘How to Succeed in Business Without Really Trying’ boasts an exhilarating score by Frank Loesser – one of America’s great composer/lyricists, also responsible for ‘Guys & Dolls’ (currently a massive hit at the Bridge Theatre) – including ‘I Believe in You’, ‘Brotherhood of Man’ and ‘The Company Way’.

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

The cast of Here We Are. Photographer Marc Brenner
Featured

Review: Here We Are at The National Theatre (Lyttleton), London

Cast of Brixton Calling image supplied by publicist
News

Max Runham and Tendai Humphrey Sitima Star in World Premiere of Brixton Calling

Danielle Tarento and Annaleigh Ashford images supplied by publicist
News

Danielle Tarento and Tony Award Winner Annaleigh Ashford to Co-Produce UK Premiere of The White Chip at Southwark Playhouse

The cast of Here We Are in rehearsal at the National Theatre. Photographer Marc Brenner
First Look

First Look at Rehearsals for the UK Premiere of Here We Are at the National Theatre

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Comedy About Spies credit Mark Senior

Review: The Comedy About Spies at Noël Coward Theatre

Operation Mincemeat image supplied by publicist

Operation Mincemeat Announces 2026 World Tour Launching from Manchester

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly