• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News Digital

Director Augusto Boal’s Archive Available Digitally For The First Time

by Staff Writer
April 8, 2022
Reading Time: 3 mins read
AUGUSTO BOAL

AUGUSTO BOAL

Digital Theatre+, Digital Theatre’s education platform, has announced, from Thursday 21st April 2022, schools, universities, and educational institutions all over the world will be able to access The Boal Collection for the first time.

The Boal Collection is a curated selection of over 400 historical documents including previously unpublished playtexts, letters, videos and photographs illuminating the work and teachings of Augusto Boal. The materials have been carefully selected by Cecilia and Julian Boal, wife and son of the legendary Theatre of the Oppressed innovator.

Boal, one of the major theatrical innovators of the 20th century, was awarded the UNESCO Pablo Picasso medal in 1994 and nominated for the Nobel Peace Prize. The new collection, created exclusively for education institutions, is thanks to a partnership with People’s Palace Projects, an arts research centre at Queen Mary University of London.

       

Their work focuses on bringing together artists, activists, academics and audiences to challenge social injustice through the power of the arts – in UK, Brazil and beyond.

Famed across the world, with his teachings still studied by almost every student of theatre, Augusto Boal (1931 – 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of the Theatre of the Oppressed movement.

You mightalso like

A Place for We at the Park Theatre. Photo by Mark Douet

Olivier Award-nominated A Place for We made available on Digital Theatre for five years

Wonder Boy credit Steve Tanner

Digital Theatre Partners With Bristol Old Vic To Provide On-Demand Platform For Wonder Boy

Originally developed out of Boal’s revolutionary work with worker populations in Latin America, Theatre of the Oppressed is now used all over the world for social and political activism, conflict resolution, community building, therapy, and government legislation. For this reason, Boal’s teachings are as relevant today as ever.

Both Cecilia and Julian Boal have continued Augusto Boal’s work at the Escola de Teatro Popular in Rio de Janeiro and at Theatre of the Oppressed training sessions across the globe. And in March 2009, Julian Boal received the title of “World Theatre Ambassador” from UNESCO.

The Boal Collection has been chosen from the archive of the Institute Augusto Boal in Rio de Janeiro and launches a unique journey through the interconnected stories of Boal’s personal life and professional history as a theatre practitioner.

To launch the collection, Digital Theatre+ is hosting a free webinar – open to all – on 21 April.

       

Why Boal Now? brings together an unprecedented international panel of expert practitioners and teachers of Boal’s techniques to look in detail at his legacy and what the study of his archive can do to inspire a new generation. Booking details: www.digitaltheatreplus.com/online-events-why-boal-now

 

 

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

A Place for We at the Park Theatre. Photo by Mark Douet
Digital

Olivier Award-nominated A Place for We made available on Digital Theatre for five years

Wonder Boy credit Steve Tanner
Digital

Digital Theatre Partners With Bristol Old Vic To Provide On-Demand Platform For Wonder Boy

Frankenstein Courtesy of Blackeyed Theatre
Digital

Blackeyed Theatre Partner With Digital Theatre to Stream Their Hit Revival of Frankenstein

ETT Othello Victor Oshin and Kitty Archer Image Helen Murray
News

English Touring Theatre Announce Partnership with Digital Theatre and The Othello Project

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Secret Cinema Grease image supplied by publicist

Grease: The Immersive Movie Musical Announces Full Cast Ahead of Summer Run at Battersea Park

The Company of Titanique with Pride in London with Ian 'H' Watkins and Lesley Joseph (Credit Stephanie Claire Photography)

Titanique Celebrates Pride in London with Gala Performance and Fundraising Week

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly