• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result

Edinburgh Preview: The Man Who Thought He Knew Too Much at Pleasance Dome (Jack Dome)

The Man Who Thought He Knew Too Much Credit Jake Wadley
The Man Who Thought He Knew Too Much Credit Jake Wadley

Pleasance Dome (Jack Dome)

3rd – 29th August 2022 (not 17th)

Book Tickets

13:10

Ages 8+, contains haze and cartoon violence

Wes Anderson meets Hitchcock meets spaghetti western in this multi award-winning, intercontinental, inter-genre, cinematic caper of accusations, accidents and accents. Raucously funny and endlessly inventive, Lecoq-trained company Voloz Collective delight and stun with live original music and virtuosic acrobatics in this fast-paced, Offies-nominated whodunnit.

Roger, a Frenchman in 1960’s New York, has followed the same routine for years, until a minor delay saves him from an explosion. Throwing his ordered world into chaos, Roger chases his would-be assassins around the globe. Winner of the Les Enfants Terribles and Greenwich Partnership Award 2020, The Man Who Thought He Knew Too Much is delightfully unbridled, immediate and visceral, igniting audiences’ imaginations with a whirlwind of images and sounds. The minimalist physical style of Voloz Collective makes the show accessible for people aged 8 to 98.

The physicality and movement of different sections of The Man Who are influenced by different cinematic styles. Opening with a film-noir-esque feel, the structure then transitions into the fast-paced physicality of a Matrix or Bond film, before seeing influences from classic and contemporary westerns, including the films of the Coen Brothers and Sergio Leone. For film buffs, the visual storytelling of Wes Anderson and Quentin Tarantino is evident throughout.

       

Although set in the 1960s, The Man Who toys with historical truths by subtly inserting fictional characters into actual historical events, including classic American advertising campaigns, cold war conspiracies, and even a Beatles song.

Voloz Collective comments, While comedy today is increasingly text-based, we are excited to bring audiences to the roots of vaudevillian physical comedy with Voloz’s own contemporary cinematic twist. What draws people so often to film and TV is the speed and ingenuity with which one image transforms into the next. With this show, we transpose this visual dexterity of film into a theatrical language, teasing out moments of poetry and hilarity at breakneck speed!

You mightalso like

Sasha Wilson photo by Alex Cameron

Edinburgh Fringe Interview: Sasha Wilson on Bury The Hatchet at Pleasance Dome

Dan Bishop, photo by Patrick Dowse

Edinburgh Fringe Interview: Dan Bishop on Brainsluts at Pleasance Dome

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Spin A Play (Credit Lynsey Nicol)

Spin-a-Play Brings Improvised Chaos to Camden Fringe 2025

The sound of Music Cast Image supplied by publicist

The Sound of Music Full Cast Announced for Curve’s 2025 Christmas Production

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly