• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2023

Edinburgh Review: Lovefool at Summerhall

“a deeply profound, well-written, and moving parable”

by Anna Chiari
August 28, 2023
Reading Time: 2 mins read
Lovefool courtesy of the company

Lovefool courtesy of the company

Five Star Review from Theatre WeeklyLovefool is a reflection on what love is in today’s world, on what is considered love, and even on what we are taught is love by institutions so detached from truth and society to become almost dangerous for our understanding of reality. But within this initial contemplation lies a much deeper and intimate drama directly involving the audience.

It begins as a farce, Lovefool, a mockery of a system that preaches love and makes love an almost religious, natural, and necessary act of acceptance. It then delves into a disenchanted analysis of modern-day dating and apps. It masks the unfortunate story of any millennial grappling with toxic love, and yet… Lovefool reveals itself to be a profound reflection on trauma and PTSD, amnesia and memory, and the difficulty of loving and forgiving oneself.

In this one-woman show, Grace (Kristin Winters) explores all the facets that can lead to madness in love, investigating all forms of possible abuse, from the subtle and psychological to outright harassment and even the most brutal physical abuse. All of this is depicted through the various stages of post-trauma that Grace tries to navigate with the help of a professional: from alcoholism to self-harm and even to genuine suicide attempts.

       

Lovefool is a deeply profound, well-written, and moving parable that alternates between irreverent and necessary dark humour to downplay the addressed theme, finding in the protagonist a perfect dramatic force. Kristin Winters is energetic, astute, irreverent, and yet profoundly human, making herself accessible to each of us as her drama becomes ours, to the point that we leave visibly moved and shaken. Brutal, genuine, and profound, like few others in portraying rape and how such a tragedy can impact people’s lives, their stories, and their perception of themselves.

A heart-wrenching tale that speaks of violence against women and what it means to take agency over one’s life and rediscover the only truly healthy and fulfilling form of love: self-love, all this resonating in the final notes of Whitney Houston’s “Greatest Love of All.”

You mightalso like

Ruxy Cantir Pickled Republic © photographer Andy Catlin

Edinburgh Fringe Review: Pickled Republic at Summerhall

King Photos by Camilo Tariq, Courtesy of T Works Singapore

Edinburgh Fringe Review: King at Summerhall (Former Gents’ Locker Room)

Anna Chiari

Anna Chiari

Anna Chiari is a freelance writer, journalist, and documentarist. She has written and directed her first documentary and has co-written and collaborated on different long-feature scripts. After specializing in Comparative Literature at UCL, she is pursuing an academic career as a Ph.D. student at the University of Edinburgh. As a journalist and critic, she collaborates with online magazines and blogs.

Related Articles

Ruxy Cantir Pickled Republic © photographer Andy Catlin
Edinburgh Fringe 2025

Edinburgh Fringe Review: Pickled Republic at Summerhall

King Photos by Camilo Tariq, Courtesy of T Works Singapore
Edinburgh Fringe 2025

Edinburgh Fringe Review: King at Summerhall (Former Gents’ Locker Room)

Theatre Weekly's Best of the Fest 2025
Edinburgh Fringe 2025

Theatre Weekly’s Best of the Fest 2025

Elisabeth Gunawan in STAMPIN' IN THE GRAVEYARD (c) Valeriia Poholsha
Edinburgh Fringe 2025

Edinburgh Fringe Review: Stampin’ in the Graveyard at Summerhall

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Graffiti Bodies XV Photo credit Robert Piwko

Certain Blacks launches Black Athena Festival across Rich Mix and The Place

Ameila Adams, Archie Bennett, Louisa Talbot photo by Manuel Harlan

Matilda The Musical announces cast for third China tour in 2026

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly