Rapsody is a fast-paced drama set in a hostel, following four individuals, all struggling with their own odds and pursuing their own aspirations, all using hip-hop as a way to communicate what words can’t. Tackling a whole myriad of themes including class imbalance, racism, drug abuse, sexual assault and religion, this bold piece of music theatre runs at the Pleasance Courtyard from Wednesday 3rd to Monday 29th August at 5:20pm.
Rapsody has a lot going for it. A razor-sharp script from writers Oli Dunbar and Corey Weekes, abrasive and arresting in its dialogue but tender and empathetic, bringing working-class voices to the forefront without patronising or capitalising on them.
These characters that they have created are voices the audience are left wanting more of, written with such complexity and depth, which is only enhanced by the performers excellent portrayal of them. Each member of this ensemble demonstrates, not only fantastic acting ability, but impressive musicality, rapping the character’s inner monologues with impressive ease.
The main thing that lets the piece down is its final moments, not because of the content which is probably the most intense and powerful peak of the plot, however the fact that nothing follows it. What seems like the climax of Rapsody’s conflict and turmoil and the rage of its characters is suddenly followed by a curtain call. With characters beginning new storylines moments before, the piece is left completely up in the air with almost every question asked within the hour duration left unanswered. Leaving the audience wanting more is usually a good thing, but less so when the audience feels like they’re owed some form of resolution.
Rapsody is a piece brimming with potential, an impressive hour of intense drama and brilliant music that is a victim of its duration. However, the plot that the audience gets to witness is worth the ticket price.
