• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News First Look

First Look: Lyonesse at the Harold Pinter Theatre

by Staff Writer
October 25, 2023
Reading Time: 6 mins read
Kristin Scott Thomas (Elaine) in Lyonesse at the Harold Pinter Theatre. Photo by Manuel Harlan

Kristin Scott Thomas (Elaine) in Lyonesse at the Harold Pinter Theatre. Photo by Manuel Harlan

Production images are released ahead of opening night tonight for the world premiere of Lyonesse by Penelope Skinner, directed by Ian Rickson and produced by Sonia Friedman Productions. This new play stars Kristin Scott Thomas and Lily James alongside James Corrigan, Doon Mackichan and Sara Powell.  Now in previews at the Harold Pinter Theatre, Lyonesse runs through to 23 December 2023 www.lyonesseonstage.com.  Production images are available to download here.

A limited number of £15 Standby seats for Lyonesse will be available each Wednesday for the following week’s performances starting today.  Each ticket guarantees a standing position, with the possibility of having a seat allocated anywhere in the house. This is in addition to the £30 tickets available for every performance via the TodayTix Group’s Lottery Scheme.

Elaine (Kristin Scott Thomas) a reclusive and talented actress, disappears in mysterious circumstances. 30 years later, she finally feels ready to tell her story – summoning Kate (Lily James), a young film executive, to her remote Cornish home to assist with her glorious comeback.

       

But who really controls the stories we tell, and how we get to tell them? Will these women own their narrative, or will it be swept away from them at any given moment?

Lyonesse is by Penelope Skinner, winner of the George Devine Award for Most Promising Playwright for The Village Bike, and whose other works for stage include Angry Alan, Meek, Linda, The Ruins of Civilisation, Fred’s Diner, Eigengrau and F*cked.  For screen she has created and written, along with her sister Ginny Skinner, TV thriller The Following Events Are Based On A Pack Of Lies (Sister/BBC1) which recently aired on BBC1. Previously she was a writer on four seasons of Fresh Meat (Channel 4) and wrote the film How I Live Now.

You mightalso like

Richard Hope and John Lithgow in Giant at the Harold Pinter Theatre (c) Johan Persson

First Look at the Olivier Award-Winning Giant in the West End

The Weir Image supplied by publicist

Brendan Gleeson Makes His West End Debut in The Weir

Kristin Scott Thomas and Lily James join forces for the first time on stage for Lyonesse after appearing together in the Oscar and BAFTA winning film Darkest Hour (Working Title Films/Universal) and screen adaptation of Daphne du Maurier’s Rebecca (Netflix/Working Title).  The play also reunites long-time collaborators Ian Rickson and Kristin Scott Thomas following their work together on The Seagull (Royal Court/ Broadway – for which Kristin Scott Thomas won an Olivier for her performance), Electra (Old Vic) and West End productions of Betrayal and Old Times (all produced by SFP).  This will be Ian Rickson’s twelfth collaboration with SFP including celebrated West End productions such as Jerusalem, Rosmersholm, Uncle Vanya, The Children’s Hour and The Birthday Party. Lily James last appeared on stage in the SFP production of All About Eve (West End).

Lyonesse is designed by Georgia Lowe, with lighting by Jessica Hung Han Yun, music by Stephen Warbeck, sound by Tingying Dong and casting by Amy Ball CDG.

View this post on Instagram

A post shared by Theatre Weekly (@theatre_weekly)

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Richard Hope and John Lithgow in Giant at the Harold Pinter Theatre (c) Johan Persson
First Look

First Look at the Olivier Award-Winning Giant in the West End

The Weir Image supplied by publicist
News

Brendan Gleeson Makes His West End Debut in The Weir

Patter House courtesy of Gilded Balloon
Edinburgh Fringe 2025

Gilded Balloon Celebrates 40 Years with Star-Studded Line-Up at Edinburgh Festival Fringe

Rachael Stirling, John Lithgow and Elliot Levey in rehearsals for GIANT in the West End (c) Johan Persson
First Look

Rehearsal Images Released for West End Transfer of GIANT

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

After The Act Royal Court Theatre credit Alex Brenner

Review: After The Act at Royal Court

Dracapella image supplied by publicist

Dracapella Leads Park Theatre’s Upcoming Season Announcements

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly