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Home News First Look

First Look: Moffie at Riverside Studios in Rehearsal

by Staff Writer
May 16, 2024
Reading Time: 6 mins read
Moffie Rehearsals courtesy of the production

Moffie Rehearsals courtesy of the production

First look rehearsal images are released for MOFFIE – the world premiere stage adaptation of André Van de Merwe’s searing autobiographical novel which will play Studio 3 at Riverside Studios from Wednesday 5 – Sunday 30 June 2024, with a press night on Friday 7 June.

Presented by The Fugard Theatre Archive in association with The Common Humanity Arts Trust (CHAT) South Africa, Moffie is South African playwright Philip Rademeyer’s adaptation of André Carl van der Merwe’s biographical novel about his time as a conscript in the apartheid era South African Defence Force into a dramatic monologue, performed by rising star Kai Luke Brümmer.

Brümmer will reprise his role as ‘Nicholas van der Swart’, the character he portrayed in South African director Oliver Hermanus’s critically acclaimed 2019 film adaptation of the novel, in which his performance was described by Screen Daily as “Triumphant. Kai Luke Brümmer a magnetic centre of an extraordinary young ensemble cast.” 

       

 It’s 1979 and South Africa’s government’s main concern is keeping Southern Africa free of communism, to protect the Afrikaner people, Christianity, and the free world. To do this, they need bodies, and seventeen-year-old Nicholas van der Swart is conscripted into the South African Defence Force and finds himself in the dark heart of a regime that demands absolute conformity, brute masculinity, racism, and bigotry.

Set against the backdrop of apartheid South Africa, “MOFFIE” traces Nicholas’s struggle against societal expectations and his internal battle in discovering his own identity amidst the violence of South Africa’s border war, which took place between 1966 – 1989. Facing the dread of being labelled a ‘moffie’—a derogatory term for being gay—and the risk of being outed and the ever-present fear of exposure, “MOFFIE” is an exploration of toxic masculinity and trauma, highlighting how, 30 years into South Africa’s democracy, the emotional wounds inflicted during those turbulent times persist, offering a reflection on the lingering scars of the past and their influence on the present and future.

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