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First Look: Sasha Regan’s All-Male The Mikado in Rehearsal
[/fusion_title][fusion_content_boxes layout=”icon-on-side” columns=”3″ title_size=”14px” title_color=”” body_color=”#000000″ backgroundcolor=”” iconcolor=”” icon_circle=”” icon_circle_radius=”” circlecolor=”” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” icon_size=”” icon_hover_type=”” hover_accent_color=”” link_type=”” link_area=”” link_target=”” icon_align=”left” animation_type=”” animation_delay=”” animation_offset=”” animation_direction=”left” animation_speed=”0.3″ margin_top=”” margin_bottom=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=””][fusion_content_box title=”” backgroundcolor=”” icon=”fa-calendar” iconflip=”” iconrotate=”” iconspin=”no” iconcolor=”#ff9800″ circlecolor=”#ffffff” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” image=”” image_width=”35″ image_height=”35″ link=”” linktext=”Read More” link_target=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]
3rd April 2017
[/fusion_content_box][fusion_content_box title=”” backgroundcolor=”” icon=”fa-user” iconflip=”” iconrotate=”” iconspin=”no” iconcolor=”#ff9800″ circlecolor=”#ffffff” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” image=”” image_width=”35″ image_height=”35″ link=”” linktext=”Read More” link_target=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]Theatre Weekly Press[/fusion_content_box][/fusion_content_boxes][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” sep_color=”” top_margin=”2px” bottom_margin=”2px” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” /][fusion_text]
Following the highly successful all-male tours of H.M.S. Pinafore and The Pirates of Penzance, Sasha Regan returns with the world premiere of the irresistible The Mikado – one of Gilbert and Sullivan’s most famous operettas.
In true topsy –turvy fashion, Gilbert and Sullivan’s inherent humour and timeless tunefulness are married with Regan’s wicked sense of fun. This vibrant production successfully pokes playful fun at British politics and institutions. The crazy storyline takes us to 1950s England where a school camping trip is visiting the far away land of Titipu – a place where flirting is banned on pain of death and where tailors can become Lord High Executioners but cannot cut off another’s head, until they have cut off their own!
[/fusion_text][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][fusion_images picture_size=”fixed” hover_type=”none” autoplay=”no” columns=”5″ column_spacing=”13″ scroll_items=”” show_nav=”yes” mouse_scroll=”no” border=”yes” lightbox=”yes” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=””][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/The-Cast-of-Sasha-Regans-The-Mikado-courtesy-of-Harriet-Buckingham_9.jpg” image_id=”5436″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/The-Cast-of-Sasha-Regans-The-Mikado-courtesy-of-Harriet-Buckingham_7.jpg” image_id=”5435″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/The-Cast-of-Sasha-Regans-The-Mikado-courtesy-of-Harriet-Buckingham_6.jpg” image_id=”5434″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/The-Cast-of-Sasha-Regans-The-Mikado-courtesy-of-Harriet-Buckingham_3.jpg” image_id=”5432″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/The-Cast-of-Sasha-Regans-The-Mikado-courtesy-of-Harriet-Buckingham_11.jpg” image_id=”5431″ link=”” linktarget=”_self” alt=”” /][/fusion_images][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][fusion_text]
Regan’s idea to transform these much-loved classics into all-male productions stems from her own experiences performing Gilbert and Sullivan at a single-sex school. Her shows are now renowned for playing on the humour that can emerge from these gender changes.
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