• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Interviews

Interview: Bianca Stephens on Macbeth at Lyric Hammersmith

“We are not trying to do weird Shakespeare voices. We are trying to bring the text to us, showing people like us should have ownership of these old texts and not feel excluded”

by Greg Stewart
February 6, 2025
Reading Time: 3 mins read
Bianca Stephens image supplied by publicist

Bianca Stephens image supplied by publicist

Bianca Stephens plays Lady Macduff in English Touring Theatre’s production of Macbeth which will open at the Lyric Hammersmith Theatre from February 28 to March 29, 2025.

This contemporary reimagining of Shakespeare’s classic tragedy, directed by Richard Twyman, promises to be a bold and thrilling interpretation for modern times. The show features a stellar cast including Alex Austin as Macbeth, Lois Chimimba as Lady Macbeth, and Gabriel Akuwudike as Banquo.

With previews beginning on February 28 and opening night on March 5, 2025, tickets for Macbeth at the Lyric Hammersmith Theatre are available now at lyric.co.uk.

       

You’re appearing in Macbeth at the Lyric Hammersmith Theatre. What can you tell us about the show?

It’s a real force of nature as a show and the cast are brilliant. It’s full of suspicious minds, the horror of war and I think questions humanity. It’s a real reflection of the times we are in amidst wars, genocides and the divisive political climate. The world this play is in says none of us are safe and challenges us to think about the world we want to build after such terrible times.

How does this production differ from traditional interpretations of Macbeth?

We are not trying to do weird Shakespeare voices. We are trying to bring the text to us, showing people like us should have ownership of these old texts and not feel excluded. It feels really rich in knowledge and the carried experiences that the cast has to offer bring this work to life.

You mightalso like

ETT Macbeth Ensemble credit Richard Lakos

Review: ETT’s Macbeth at Lyric Hammersmith Theatre

ETT Macbeth Ensemble credit Richard Lakos

First Look at Macbeth Production Images at Lyric Hammersmith Theatre

Can you tell us about your character, Lady Macduff, and how you are approaching the role?

I have been thinking a lot about mothers currently living in wars and genocides which is like the world that Lady Macduff is living in. Also I’ve been thinking that Lady Macduff is a representation of women in these times now being made to feel like they don’t have choices and being over looked as collateral damage. However, in saying that, she has a knowledge and strength in her that really asks the audience is this really the world you wanted to create. My favourite thing about her is her earthly quality and her deep connection to nature and what’s happening around her.

What has been the most challenging aspect of working on this production?

I think looking at the magic of people and how to bring the supernatural to life has been a challenge. As it’s something in this play the characters really believe in and to some extent are led by and finding that truth and rooted connection to it has been challenging but also exciting.

How has the collaboration been with director Richard Twyman and the rest of the cast?

Everyone has been fantastic. We really are going in deep to understand all that’s to be understood in the text and also finding ourselves in this work. There is a want to be authentic to ourselves and come to the work fresh and bring the things that make us interesting to the work also. There is such a variety of people in our team, and it really is showing how all people should have access to texts like this and speak to them in their own way.

What would you say to anyone thinking of booking to see Macbeth?

Get a ticket you know you want to!

       
Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

ETT Macbeth Ensemble credit Richard Lakos
Reviews

Review: ETT’s Macbeth at Lyric Hammersmith Theatre

ETT Macbeth Ensemble credit Richard Lakos
First Look

First Look at Macbeth Production Images at Lyric Hammersmith Theatre

Cush Jumbo and David Tennant in MACBETH Donmar Photo by Marc Brenner
Digital

Cinema version of Donmar’s Macbeth grosses over £2m in first week

Play On, Photo © Ellie Kurttz
Reviews

Review: Play On! at the Lyric Hammersmith Theatre

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

It's a Wonderful Knife Image supplied by publicist

It’s a Wonderful Knife – Christmas Dundee Announced as Old Joint Stock Theatre’s Festive Musical

The Comedy About Spies credit Mark Senior

Review: The Comedy About Spies at Noël Coward Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly