• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Interviews

Interview: Harriet Thorpe and Tim Flavin on MAME at The Hope Mill Theatre and On Tour

by Greg Stewart
September 22, 2019
Reading Time: 3 mins read
Harriet Thorpe and Tim Flavin on Starring in Mame at The Hope Mill Theatre

Harriet Thorpe and Tim Flavin on Starring in Mame at The Hope Mill Theatre

Harriet Thorpe and Tim Flavin play the roles of Vera and Beuregaurd, alongside Tracie Bennett in the first professional UK revival of Jerry Herman’s much loved musical MAME.

MAME is at Hope Mill Theatre in Manchester, from 28 September – 9 November 2019 and then touring to Royal & Derngate, Northampton from 7 – 11 January 2020 and Salisbury Playhouse from 21 – 25 January 2020.

The musical has not been seen in the UK since the original West End production in 1969 starring Ginger Rogers.

       

You’re both appearing in Mame at The Hope Mill Theatre, what can you tell us about it?

Harriet: The themes are love, friendship, finding a purpose in life and realising what really matters, all surrounded by a beautiful classic Jerry Herman score.

Tim: It’s a classic Jerry Herman musical, and I get to lead the title song.

You mightalso like

Tom Claxton Image Supplied by Publicist

Interview: Tom Claxton on A Manchester Anthem at Hope Mill Theatre and Riverside Studios

Young Frankenstein Cast Image supplied by publicist

Young Frankenstein to Star Ore Oduba at Hope Mill Theatre This Autumn

It hasn’t been seen in the UK since 1969, why do you think it’s taken so long to get a revival?

Harriet: It’s a heady mystery – it should have been performed endlessly by now because it’s so wonderful.

Tim: It is a star vehicle that perhaps has needed the right actress, like Tracie Bennett, to come along and assume the significant gravitas of the role.

What are you looking forward to most about working with Tracie Bennett?

Harriet: The laughs. We’ve worked together a few times and there’s always plenty of them!

Tim: I have worked with Tracie before as well, and it’s always lovely in the business to cross paths again with the amazingly talented. Harriet is a new quantity and had just better behave herself!

       

What do you like most about your respective characters?

Tim: Well, Beuregaurd is rich and I get to wear fancy costumes.

Harriet: I love Vera’s wit and her humour, and her ability to sustain friendship through thick and thin.

Why do you think The Hope Mill Theatre is the ideal venue for Mame’s first revival?

Harriet: What is wonderful is that it’s putting this often-grandiose production piece into a smaller, intimate space so that there is an instant emotional connection, because you become a part of the story.

Tim: Hope Mill has a great reputation for doing quality work re-presenting musical theatre in effective, new ways.

What would you say to anyone thinking of coming to see Mame?

Harriet: Hurry up – tickets are going fast and it’s almost sold out.

MAME featuring Harriet Thorpe and Tim Flavin is at Hope Mill Theatre in Manchester from 28 September – 9 November 2019.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Tom Claxton Image Supplied by Publicist
Interviews

Interview: Tom Claxton on A Manchester Anthem at Hope Mill Theatre and Riverside Studios

Young Frankenstein Cast Image supplied by publicist
News

Young Frankenstein to Star Ore Oduba at Hope Mill Theatre This Autumn

Little Shop of Horrors image supplied by publicist
News

Little Shop of Horrors to Receive Major New Revival at Hope Mill Theatre in 2026

West End Flea Market Harriet Thorpe, Christopher Biggins credit Bonnie Britain
News

West End Flea Market 2025 Confirms Star-Studded Line-Up and Show Stalls

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Florence Lace Evans, photo by Olivia Spencer

Edinburgh Interview: Florence Lace-Evans on Yes, We’re Related at Underbelly Cowgate

Clare Fraenkel credit Steve Ullathorne

Edinburgh Interview: Clare Fraenkel on I Was A German at Zoo Southside

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly