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Home Interviews

Interview: Jennifer Daley on Tapped at Theatre503

“The writing is at times so funny that it’s tempting to want to play up to it, but it works best when played truthfully rather than for laughs”

by Greg Stewart
March 29, 2022
Reading Time: 3 mins read
Jennifer Daley

Jennifer Daley

Jennifer Daley plays Dawn in the world première production of Tapped at Theatre503, directed by Piers Black.

Tapped also features Olivia Sweeney playing Jen and Max Hastings as Gavi.

The production opens at Theatre503 on 12 April, with previews from the 5 April and runs until 23 April. A live-captured version of the production will stream on 26 April.

       

You’re starring in Tapped at Theatre503, what can you tell us about the play?

Tapped is a really lovely, funny, tender play about family, friendship and hope. Set in Nottingham, it centres around three people who are striving to better themselves by forming an amateur self-help group. They all face their personal challenges, including family dysfunction, mental health, grief and loss. Plus, there’s a faint whiff of the paranormal!

What is it that impressed you the most about Katie Redford’s script?

 The thing that first struck me about the play is how hilarious and moving it is – often simultaneously. The characters are so relatable, though their individual outlooks on the world are very different. I think most people can understand the feeling of wanting to transcend your life circumstances but not knowing quite how. Katie has created a story that is very real, honest and entertaining.

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Tell us more about your character, Dawn?

Dawn is an aspirational person – a mother and wife who feels stuck in her life and wants more. She works at the local Co-op and has a fractious relationship with her daughter, due in part to Dawn’s challenges with mental health throughout Jen’s formative years. She’s a fun and complex character who is – above all – just trying to do her best.

What’s been the biggest challenge for you with this role?

The biggest challenge has been just letting the natural comedy unfold in rehearsals. The writing is at times so funny that it’s tempting to want to play up to it, but it works best when played truthfully rather than for laughs. No need to embellish!

What do you enjoy most about working with such a small cast?

Working with a small cast means that the ‘getting to know you’ process is much quicker! I think we all felt at ease with each other early on, which meant we could openly share ideas and build the sense of familiarity that is integral to the play. Plus – there are obvious Covid related benefits…!

What would you say to anyone thinking of booking to see Tapped?

We’d love to see you! It’s such a fab play that Katie’s written, funny, snappy, something for everyone. Definitely worth the trip down Nine Elms Lane.

       

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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