• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: Am I A Terrible Person at Living Record Festival

by Sebastian Calver
January 29, 2021
Reading Time: 3 mins read
Am I a Terrible Person at Living Record Festival

Am I a Terrible Person at Living Record Festival

Five Star Review from Theatre WeeklyBilled as a an “autobiographical look into the mind of someone living with OCD and depression”, Ant Lightfoot’s Am I A Terrible Person?, is a trance-like presentation of insecurity and purpose. At a bitesize runtime of 15 minutes, it is the perfect length to encourage discussion without labouring or demeaning the value.

If you type ‘insecurity’ into google one of the first images that the search engine provides is a picture of a hand marked with the words “Am I good enough?” in bold black ink. Depression is a scary trigger word for a lot of people; it’s too easy to deign it an ‘invisible illness’, belittling it as a virus for the snowflake generation.  Realistically these are feelings that are universally felt, especially during the recent months of isolation. We have all experienced time slow almost to a halt and had questions of validity and self-consciousness darting around our heads. Lightfoot presents this to us in an intimate moment of vulnerable honesty, myth busting some of the false pretences and softening the intricacies for consumption.

There’s a psycho-realistic authenticity to Lightfoot’s ‘performance’ that resonates perfectly through film that perhaps wouldn’t have been as effective in a live atmosphere. His simple direct address is modest and unpretentious without becoming banal which is an impressive feat. “This is the place where I sit… I sit here and I feel time slow down. Every day is the same. Just trying to fill the time, wishing I could just exist better”.

       

Clint Dyer, the recently appointed deputy artistic director of the National Theatre, shared in an interview: “theatre should always entertain, and theatre should always challenge”; Lightfoot hits this description spot on with a sturdy palate, balancing the sometimes-bleak reality with natural charm and humour. It is testament to Lightfoot that he does not trivialise themes of depression – something that Hollywood are so prone to doing.

With a segment of subversive stand-up, reminiscent of a free venue at the Edinburgh Fringe, Lightfoot emanates a persona reminding me of Jimmy Carr, whether that’s the vocal quality; the repetitive inflexions delivered with dry wit and a cold tone, or the sombre repose, I’m not entirely sure. Nonetheless, this wit and humour creates a three-dimensional approach to sharing an important reflection that is more universal than you might think.

You mightalso like

The Living Record Festival

The Living Record Festival Returns for 2022

Spun Glass Theatre This Noisy Isle

Shakespeare-Inspired Magical Treasure Hunt Show, This Noisy Isle, Sets Off On Tour

Am I A Terrible Person? is available to watch until the 22nd of February 2021, for more information and tickets go to: https://www.livingrecord.co.uk/the-living-record-festival

Sebastian Calver

Sebastian Calver

Sebastian is an offie nominated actor recently graduated from East 15 Acting School on the BA(Hons) Acting programme. He is currently studying an MA in Musical Theatre at The Royal Academy of Music. His favourite play is Andrew Bovell's 'Things I Know to be True' and his favourite musical is Shaina Taub and Kwame Kwei-Armah's 'Twelfth Night' at The Young Vic

Related Articles

The Living Record Festival
Digital

The Living Record Festival Returns for 2022

Spun Glass Theatre This Noisy Isle
News

Shakespeare-Inspired Magical Treasure Hunt Show, This Noisy Isle, Sets Off On Tour

Iris Theatres Shakespeare Sundays
News

Iris Theatre Announce Line Up For Shakespeare Sundays

Living Record Brighton
Digital

Living Record Launches A Digital Venue At The Brighton Fringe

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Reading Rep Season image supplied by publicist

Reading Rep Theatre Unveils Ambitious 2025/26 Season Featuring First Musical and Major Revivals

Daniel Abelson in Praise of Love rehearsals credit Ellie Kurttz

Interview: Daniel Abelson on In Praise of Love at the Orange Tree Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly