• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: Artificially Yours at Riverside Studios

“As a debut play, Aaron Thakar’s script shows a lot of promise”

by Greg Stewart
April 11, 2024
Reading Time: 6 mins read
Artificially Yours Ella Jarvis (Ellie) and Jake Mavis (Noah) Photo Andrew Fosker

Artificially Yours Ella Jarvis (Ellie) and Jake Mavis (Noah) Photo Andrew Fosker

If you were to add it all up, you’d probably find the amount of time you spend talking to your smart devices (Alexa, Siri etc) is more than you spend with some family or friends, and many of us have probably become over reliant on them to carry out simple tasks on our behalf. Taking inspiration from this modern way of life is Aaron Thakar’s Artificially Yours, which has its premiere at Riverside Studios.

Looking suspiciously like an Amazon device, we’re introduced to the Agapē, which takes the concept of a personal assistant device a step further. Agapē, (voiced by Katherine Moran) is a virtual therapist, providing couples counselling to those who need it, or at least think they do.

Artificially Yours shows us how the Agapē device affects three different couples; Pippa and Martin, Ellie and Noah, and Lilah and Ash. Although there’s some crossover between the couples, the result is effectively the same in all three scenarios.

       

As a debut play, Aaron Thakar’s script shows a lot of promise. There’s an interesting dynamic between the various couples which deserves to be explored more fully, and the commentary the play makes on both the advantages and disadvantages of AI technology is well thought through.

But in its current form it struggles to live up to its full potential. The biggest issue is how long it takes us to get to the key points; all the important stuff happens in the last ten minutes, and at this point it feels like everything that came before was just filler, carrying us through to the inevitable conclusion.

You mightalso like

A Manchester Anthem image supplied by the company

Nick Dawkins’ A Manchester Anthem to Stage Runs at Riverside Studios and Hope Mill Theatre

Kedar Williams Stirling and Keelan Kember Credit Oliver Kember

Review: Thanks For Having Me at Riverside Studios

The characters also need some work. Pippa (Leslie Ash) feels very under-utilised and that’s a shame, as she should provide more perspective as the older female character. Ellie, though deliberately written as irritating, verging on unhinged, doesn’t ring true and the relationship between Ash, played by the playwright, and Lilah (Destiny Mavers) also feels underwritten.

Artificially Yours is billed as a dark comedy, and while some of the jokes don’t land, there are some very amusing and genuine laugh out loud moments. These mainly come from Noah and work best because of the expert comic timing of Jake Mavis. This is the actor’s first time on stage and what a triumphant debut it is; Jake Mavis is most definitely a talent to watch out for.

Artificially Yours would probably fare well at the Edinburgh Fringe, thanks to its minimal set and easy scene transitions. But for it to have a future life, it would benefit from being cut down considerably, and forced to focus on the storytelling and character development.

Artificially Yours will play at Riverside Studios in London until Sunday 21 April

       
View this post on Instagram

A post shared by Theatre Weekly (@theatre_weekly)

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

A Manchester Anthem image supplied by the company
News

Nick Dawkins’ A Manchester Anthem to Stage Runs at Riverside Studios and Hope Mill Theatre

Kedar Williams Stirling and Keelan Kember Credit Oliver Kember
Reviews

Review: Thanks For Having Me at Riverside Studios

Jedi Green backstage image supplied by publicist
News

The Empire Strips Back: A Burlesque Parody Extends London Season Due to Popular Demand

Thanks for Having Me image supplied by publicist
News

Thanks for Having Me transfers to Riverside Studios Explores Modern Romance

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Some of the cast of The Vagina Monologues images supplied by publicist

Deafinitely Theatre Announces Full Cast for The Vagina Monologues UK Tour

Park Laughs Live image supplied by publicist

James Acaster and Edinburgh Fringe Previews Announced in Park Theatre’s Park Laughs Series

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly