• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: Noël Coward’s Private Lives at Donmar Warehouse

"a thoroughly enjoyable couple of hours"

by Greg Stewart
April 13, 2023
Reading Time: 6 mins read
Rachael Stirling and Stephen Mangan in PRIVATE LIVES Donmar Warehouse photo by Marc Brenner

Rachael Stirling and Stephen Mangan in PRIVATE LIVES Donmar Warehouse photo by Marc Brenner

Four Star Review from Theatre WeeklyApproaching its centenary year, Noël Coward’s Private Lives, is revived at the Donmar Warehouse directed by Michael Longhurst.  One of several plays written at the time which addressed the changing divorce laws, this easy going comedy might feel a little dated but still manages to showcase some sparkling wit.

Elyot and Amanda are divorced; both have remarried (younger spouses) and are now enjoying their respective honeymoons.  What they didn’t plan was to be sharing the same terrace at a French seaside resort hotel.

For much of the first act, most of Hildegard Bechtler’s set design is undercover, with all of the action taking place on the art deco balcony.  When Elyot and Amanda realise they are still in love, and run off to Amanda’s Paris apartment, the full set is revealed.

       

The couple spend four days together making love and fighting, often using their safe word – Solomon Isaacs, later shortened to ‘Sollocks’ to try and prevent further acrimony.  By the time jilted lovers Sibyl (Laura Carmichael) and Victor (Sargon Yelda) catch up with them, Elyot and Amanda are at each other’s throats, quite literally.

The violence was shocking when Private Lives first opened, and it remains shocking now, though probably for different reasons.  Yet you’re always aware that this is a comedy, the couple can’t live without each other, they just can’t seem to live with each other either.

You mightalso like

Reading Rep Season image supplied by publicist

Reading Rep Theatre Unveils Ambitious 2025/26 Season Featuring First Musical and Major Revivals

Richard Hope and John Lithgow in Giant at the Harold Pinter Theatre (c) Johan Persson

First Look at the Olivier Award-Winning Giant in the West End

The concept bleeds through to the music too, with an amusing little skit played out between the Cellist (Harry Napier) and the Violinist (Faoileann Cunningham) at the opening of act two.  Many of the wittier lines come from Elyot’s flippancy, which annoys Victor no end, and Stephen Mangan carries it all off with an effervescent suaveness that’s easy to enjoy.

Rachael Stirling’s portrayal of Amanda is strong and commanding, delivering scathing lines with clean efficiency, and the scene with the coffee and brioche is beautifully done.  Not all of Coward’s comedy has stood the test of time, but considering the age of the play, that’s hardly surprising.

This is a chic revival of Noël Coward’s comedy of manners; despite the rather thin plot, Michael Longhurst has teased out all of the redeeming features of Private Lives, and given them the prominence required to make this a thoroughly enjoyable couple of hours.

Private Lives is at Donmar Warehouse until 27th May 2023

       
View this post on Instagram

A post shared by Donmar Warehouse (@donmarwarehouse)

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Reading Rep Season image supplied by publicist
News

Reading Rep Theatre Unveils Ambitious 2025/26 Season Featuring First Musical and Major Revivals

Richard Hope and John Lithgow in Giant at the Harold Pinter Theatre (c) Johan Persson
First Look

First Look at the Olivier Award-Winning Giant in the West End

Brendan Coyle and Kasper Hilton Hille in DEALER'S CHOICE Donmar photo by Helen Murray
Reviews

Review: Dealer’s Choice at Donmar Warehouse

Brendan Coyle and Kasper Hilton Hille in DEALER'S CHOICE Donmar photo by Helen Murray
First Look

First Look: Dealers Choice at Donmar Warehouse

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Reading Rep Season image supplied by publicist

Reading Rep Theatre Unveils Ambitious 2025/26 Season Featuring First Musical and Major Revivals

Daniel Abelson in Praise of Love rehearsals credit Ellie Kurttz

Interview: Daniel Abelson on In Praise of Love at the Orange Tree Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly