It seems that becoming famous now is easy, spend a few weeks in a house in Borehamwood or on an...

Your Ever Loving, written by Martin McNamara, enjoyed a successful run at Theatre N16 and is now at The Underbelly...

Max Dickins has the ability to give incredible depth to a solo performance.  He did it to great effect last...

Three full length mirrors allow the bulk of the audience to see themselves watching Dust, directed by Sara Joyce, at...

Sometimes you get to the end of a play and you're a million miles away from where you expected to...

At just 26, Rhys James is becoming a Fringe stalwart.  The first time I saw him he was doing a...

Milly Thomas’s Brutal Cessation is at The George Square Box under the direction of Bethany Pitts, and is an interesting...

A 3pm, Tuesday afternoon audience, on the first properly sunny day of Edinburgh Fringe, was never going to be easy...

The title doesn’t give many clues to the plot of this particular play, which can be seen at Summerhall’s fantastic...

Musicals tend to be based on a central theme; betrayal or jealousy, lies and deception, you know the kind of...