Scotland’s preeminent disability-led theatre company Birds of Paradise are set to mark their 30th anniversary with a UK wide tour of their dark comedy thriller Don’t Make Tea.
A witty ridiculing of the welfare state, the show explores a futuristic benefits regime through the assessment of Chris as she is forced to claim benefits. With bitingly satirical dialogue, and cutting-edge accessible staging interwoven through the show, Don’t Make Tea confronts the lengths disabled
people must go to in order to preserve themselves in an unjust system.
In the year 2030, fiercely independent Chris has no choice but to give up her job when her condition deteriorates. Forced to claim benefits, she is paid a visit by the spirited WorkPay employee Ralph, who is tasked with assessing her suitability for aid under the new regime. As it becomes increasingly apparent that the new system Ralph places so much faith in has little intension of granting Chris the assistance she needs, she must confront just how far she must be willing to go to save herself.
Seamlessly blending the bleak realities of attempting to claim benefits with laugh-out-loud black comedy, Don’t Make Tea is an intensely absurd, wildly entertaining illustration of a plausible near future. Birds of Paradise are thrilled to be bringing this production to audiences around the UK, after an acclaimed run at Edinburgh’s Traverse Theatre in 2022.
All performances are captioned and have creatively embedded BSL interpretation and audio description.
Writer Rob Drummond comments, This is a piece I have been thinking about writing for a long time – since becoming aware of the inherent, often Kafkaesque, drama involved in undertaking a disability assessment in this country. The play I had in mind, however, has been greatly enhanced
by the provocations and challenges gifted to me by BOP and their associates. I’m proud of what we’ve come up with – a dark comedy that doesn’t claim to have all the answers but hopefully asks a lot of the right questions, in a way that aims to heal political divides rather than exacerbate them.
Artistic Director Robert Softley Gale says We’re thrilled to be bringing back this hit production showcasing our dynamic approach to creatively embedded access and placing the stories of disabled people centre stage across the UK. This show feels frighteningly relevant to our lives
right now.
