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Home News

Caroline Horton Tours with All of Me (the possibility of future splendour)

by Staff Writer
February 22, 2022
Reading Time: 3 mins read
All of Me by Caroline Horton photo Ed Collier Tamara Moore landscape

All of Me by Caroline Horton photo Ed Collier Tamara Moore landscape

This spring, Caroline Horton is touring the UK with her critically acclaimed solo show, All of Me following a multi-award-winning Edinburgh run in 2019, a Twine adaptation and an audio version.

In an intimate and absurd exploration of wanting to live and wanting to die, Caroline Horton reunites with director Alex Swift (Mess, How to Win Against History). All of Me is strange and poetic, exploring depression against a backdrop of broken glitterballs. In 2012, Caroline’s multi-award winning piece Mess introduced us to the struggle with anorexia shared by both Caroline and the show’s protagonist Josephine. At the end of Mess, Josephine celebrates life despite her imperfect recovery from the illness: now, years later Caroline is alone on stage without her character to hide behind.

Caroline has collaborated with composer James Atherton and sound designer Elena Peña to create a live  soundscape and songs, as well as working with Professor Matthew Broome (Director of the Institute for Mental Health), Dr Alexandra Pitman (Senior Clinical Lecturer at University College London), and STOP Suicide, an award-winning Mind campaign based in Peterborough and Cambridge, during the making of the show.

       

As well as winning a Stage Award and Mental Health Fringe Award, the Twine adaptation was shortlisted for the if:book UK New Media Writing Prize Award 2021 and the audio version features as an ‘exemplar Audio Enchantment project’ in the Digital Arts Formats research report by Greater Birmingham & Solihull LEP and Liminia Immersive.

Caroline Horton said, “I wanted to make a show that occupies the territory of recovery as I experience it – the bit that doesn’t make a good story… the years spent on a relentless, incremental journey, the repetitive struggles, the giving up, then the trying again. In its wrongness and incompleteness, the show rebels against the lack of care or space the world offers when we need to grind to a halt, to descend, to sit with death and darkness, to surrender, to refuse to keep going. It’s a show built somewhere between wanting to live and wanting to die and the sort of hope that can come by giving up and giving in to all that we are – including everything we’ve learnt to be ashamed of, including our darkness. And then I needed it to be a bit funny too – because of its darkness – and because of how ultimately absurd existence can feel.”

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All of Me Tours until 28th May 2022.

Full tour listings and ticket information can be found here

Staff Writer

Staff Writer

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