• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2025

Edinburgh Fringe Review: AETHER at Summerhall (Anatomy Lecture Theatre)

"an intricate, gorgeous work, and not to be missed”

by Ruth Bennett
August 10, 2025
Reading Time: 3 mins read
Aether credit TheatreGoose

Aether credit TheatreGoose

Five Star Review from Theatre WeeklyAether is a high-energy, beautifully-presented inquiry into the mysteries of the universe. Four actors, mesmeric in each of their many roles, bring to life five stories that are connected by the restless drive toward discovery.

The show’s staging brilliantly puts every inch of its tiny venue to use in augmenting the story. A simple overhead projector doubles as an academic prop and also throws out textures that convincingly transform the space into each intended century, and setting.

A disc on the stage floor, rotating so slowly as to be barely noticeable, both reinforces the theme of cosmic motion and keeps the actors who stand upon it so subtly wrong-footed that you don’t notice their constant adjustments, but only the thrumming, freneticism their movements create. Similarly, the clever cross-cutting of voices is accomplished with such ease and precision, you don’t see the seams, but only feel the force of the effect, which is of a tale told by a hydra.

       

Everything, from costumes to props, is merely suggested with the smallest gesture, but the choices are unerring and deliver a stunning, consistently stylised effect that ties together the more conventional storytelling with its fantastical counterparts. And “fantastic” really is the correct word for these non-naturalistic devices. Solving the expositional problem of ensuring the audience knows that “sigma” measures statistical significance in physics with a brief burst of choreographed dance and Sprechstimme is successful, inspired, and wonderful in equal measure.

The women who play all the scientists, sceptics, and truth-seekers of the stories accomplish their transformations so completely, and at such blinding speed, they seem like shape-shifters. In a festival at which productions often bill themselves as “feminist” but only tack the same superficial veneer onto different stories, the feminism of Aether is thought-provoking. It is subversive and powerful, and baked into the very framework of the play.

You mightalso like

1.17am, or Until the Words Run Out 1 Catherine Ashdown and Eileen Duffy Photo Giulia Ferrando

Review: 1.17am, or until the words run out at Finborough Theatre

MILES Benjamin Akintuyosi Credit Colin J Smith

Review: MILES. at Southwark Playhouse Borough

The show’s only real flaw is that the script is so packed with heady ideas that it can be difficult to fully absorb one before the next demands your attention. It’s always possible to follow the sense of the tale in the moment, though, if not every esoteric connection – but these connections will stay on your mind for days afterward anyway.

Aether rewards close inspection: every aspect of the show is so well-conceived, you’ll marvel at it all the more. It is an intricate, gorgeous work, and not to be missed.

Ruth Bennett

Ruth Bennett

Ruth Bennett is a former US diplomat and journalist who gave it all up to write fiction and drama and play medieval music in Edinburgh, and doesn't regret a thing.

Related Articles

1.17am, or Until the Words Run Out 1 Catherine Ashdown and Eileen Duffy Photo Giulia Ferrando
Reviews

Review: 1.17am, or until the words run out at Finborough Theatre

MILES Benjamin Akintuyosi Credit Colin J Smith
Reviews

Review: MILES. at Southwark Playhouse Borough

Orphans at Jermyn Street Theatre Image supplied by publicist
News

Jermyn Street Theatre Announces Full Spring 2026 Season Programming

JST Orphans Image supplied by Publicist
News

Jermyn Street Theatre Announces First Productions of 2026 Season

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Marquise Cast Image supplied by publicist

Noël Coward’s The Marquise to open at Theatre Royal Windsor ahead of UK tour

John Proctor is the Villain Image supplied by publicist

John Proctor Is the Villain to transfer to the West End for limited 2027 season

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly