• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2025

Edinburgh Fringe Review: All the Boys I Blocked at Pickle Studio, Riddle’s Court

"filled with the power to make us laugh and cry"

by May Ellen
August 21, 2025
Reading Time: 2 mins read
All The Boys I Blocked credit Priten Vora

All The Boys I Blocked credit Priten Vora

Four Star Review from Theatre WeeklyProduced by Chanel & the Circus, All the Boys I Blocked tells a series of funny yet heartbreaking love stories, featuring hilarious audience participation and improvised singing.

At the beginning, Chanel encourages everyone to share their breakup stories, allowing the audience to relax and evoke their imagination about love. Based on these various stories, Chanel improvises a song for each one with her gentle storytelling voice. Magically, these sad love stories are transformed into courage to face the future.

Chanel invites three audience members to play the role of her ex-boyfriends. These audience members hold exaggerated props and engage in conversation with Chanel, imitating a date scenario. The audience members on stage perform freely under the spotlight, while those seated are entertained by impromptu jokes. Chanel’s sincere gaze and moving singing guide the emotions of the audience, who laugh or cry along with her.

       

The video projection adds an extra layer of imagination to All the Boys I Blocked. Chanel’s chat logs with her ex are displayed on the screen, capturing both joyful and heartbreaking moments. The lighting shifts between cool and warm tones in line with the changing emotions. This makes the audience feel as though they are all Chanel, shouting together to let him go. Chanel sings along with the audience, assisted by the lyrics projected on the screen. “I’m sorry to inform you, you’ve been blocked!” These courageous lyrics convey the strength to face life with a smile.

Surprisingly, the theme of All the Boys I Blocked goes beyond a single love story and includes confidence and self-love. Chanel cries until her makeup runs from her repeated romantic failures, and the audience carefully wipes her face clean. Chanel begins to accept reality and her true self. As the mirror passes from one audience member to another, we confidently declare, “I love you, I love myself.” This inspiring design conveys an important message: even if no one else loves you, you must always love yourself.

You mightalso like

Abigail Paul Involuntary Momslaughter Courtesy of the Artist

Edinburgh Review: Abigail Paul: Involuntary Momslaughter at Greenside @ Riddles Court

Five Short Plays Loosely Linked by the Theme of Crime Credit Charles Edward Pipe

Edinburgh Review: Five Short Plays Loosely Linked by the Theme of Crime at Greenside @ Riddles Court

All the Boys I Blocked is filled with the power to make us laugh and cry.

May Ellen

May Ellen

I’m a theatre reviewer who attends 50+ productions annually. With a humorous and distinctive style, I analyse performances through sociology, anthropology, and cross-cultural lenses. I specialise in spotlighting overlooked but emerging talents, amplifying their impact. Through my RedNote account and reviews, I’ve inspired 2,000+ first-time audience members to experience live theatre’s power.

Related Articles

Abigail Paul Involuntary Momslaughter Courtesy of the Artist
Edinburgh Fringe 2023

Edinburgh Review: Abigail Paul: Involuntary Momslaughter at Greenside @ Riddles Court

Five Short Plays Loosely Linked by the Theme of Crime Credit Charles Edward Pipe
Edinburgh Fringe 2023

Edinburgh Review: Five Short Plays Loosely Linked by the Theme of Crime at Greenside @ Riddles Court

Catherine D. DuBord as Zelda Fitzgerald in The Last Flapper pic by Jordan Fraker
Edinburgh Fringe 2023

Edinburgh Preview: The Last Flapper at Greenside @ Riddles Court (Clover Studio)

Early Birds Edinburgh Fringe
News

Edinburgh Preview: Early Birds at PQA VENUES @Riddle’s Court (venue 277)

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Jaz Singh Deol Image supplied by publicist (1)

Interview: Jaz Singh Deol on The Psychic at York Theatre Royal

Chris Otim (C front) and Marina Climent (C back) in Woodhill at Edinburgh Fringe 2023 Summerhall (c) Alex Powell

LUNG Announce Woodhill UK Tour as Ministry of Justice Responds to Prison Crisis

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly