• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2026

Edinburgh Fringe Review: Boys Don’t Dance at Assembly @ Dance Base

“This is undoubtedly a performance that champions and celebrates differences”

by Rachel Barlow
August 11, 2026
Reading Time: 3 mins read
Boys Don't Dance by Marc Brew. © Brian Hartley

Boys Don't Dance by Marc Brew. © Brian Hartley

Four Star Review from Theatre WeeklyMarc Brew presents new work Boys Don’t Dance at Assembly @ Dance Base this Edinburgh Fringe, as part of the Made in Scotland showcase.

This poignant theatre show, aimed at 7 to 12-year-olds, reflects on Marc Brew’s own journey as a boy who defied society’s expectations to embrace his passion for dance. Memories unfold as the piece reflects on the loneliness of being the only boy in a rural Australian town who wanted to dance. Two dancers play a younger and older version of the same boy, reflecting Marc before and after acquiring a disability.

With choreography and direction by Marc Brew, dancers Piotr Iwanicki and Ross Malloy embody the movement with full energy and commitment throughout. They demonstrate incredible strength, agility, trust and partnership as they navigate remarkable movement with a wheelchair that leaves the audience gasping in awe. There is creative choreography in abundance, with intriguing moves involving a bicycle (bike-ography perhaps?).

A particular strength of Boys Don’t Dance is the emphasis on inclusion. Not only is Marc Brew Company an inclusive company that unites dancers with and without disabilities, but they also strive to be inclusive to the audience. This is an extremely positive element that will hopefully pave the way for more companies to follow.

On arrival, audience members are invited to scan a QR code which leads to a social story providing information about what to expect during the show. There’s also a Sensory Access Table, and a pre-show announcement encouraging audience members to move around and experience the show in whatever way is comfortable. The performance includes British Sign Language, and visual projections and animations further contribute to creating an immersive experience.

You mightalso like

The List Festival Awards winners Credit The List

The List Festival Awards 2026 winners announced as Edinburgh’s festival talent celebrated

R evolution(s) Image supplied without credit

Edinburgh Fringe Review: R/evolution(s) at Assembly @ Dance Base (DB1)

This is undoubtedly a performance that champions and celebrates differences, encouraging young audiences that they can follow their dreams and ambitions, and create their own path. Although this show has been created for children, with a nostalgic soundtrack and emotive storytelling it can surely be enjoyed by adults too.

A motivational watch, Boys Don’t Dance is a sincere dance work that exudes meaning and passion. Most importantly, it celebrates the fact that dance is for everyone!

Listings and ticket information can be found here

Rachel Barlow

Rachel Barlow

Rachel is a dance teacher, artist and writer based in Edinburgh. She holds an MSc Dance Science and Education and a BA(Hons) Dance. Rachel loves the beauty of Scotland and the diverse arts scene in Edinburgh.

Related Articles

The List Festival Awards winners Credit The List
Edinburgh Fringe 2026

The List Festival Awards 2026 winners announced as Edinburgh’s festival talent celebrated

R evolution(s) Image supplied without credit
Edinburgh Fringe 2026

Edinburgh Fringe Review: R/evolution(s) at Assembly @ Dance Base (DB1)

If I Can't Dance I'm Not Coming Image supplied without credit
Edinburgh Fringe 2026

Edinburgh Fringe Review: If I Can’t Dance I’m Not Coming at Assembly @ Dance Base (DB1)

Vivienne Franzmann headshot (c) The Place (1)
Edinburgh Fringe 2026

Edinburgh Fringe Interview: Vivienne Franzmann on Anatomy of Survival at Assembly @ Dance Base

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Standard of Living Rehearsal (credit Manuel Harlan)

James Graham’s The Standard of Living Releases First Rehearsal Images Ahead of West End Premiere

Ceilidh Image supplied without credit by publicist

CEILIDH announces UK premiere, London residency and 2026-27 UK tour

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly