• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2026

Edinburgh Fringe Review: Circle of Fifths at Zoo Southside (Studio)

"It is an incredibly moving experience"

by James Hattan
August 25, 2026
Reading Time: 3 mins read
Francesca Dimech & Anthony Ward in Circle of Fifths photo by Jorge Lizalde

Francesca Dimech & Anthony Ward in Circle of Fifths photo by Jorge Lizalde

Five Star Review from Theatre WeeklyIt is rare that theatre truly creates a room where audience and performer combine to collectively create meaning, with genuine energy shared between actors and their spectators. Circle of Fifths has created that rare thing. Directed by Gavin Porter Productions and produced by Threshold, the show is a live documentary that explores how music and stories can connect us all in times of grief and loss. The audience is guided through a Welsh funeral, starting outside the venue, as actors recall their family memories from Butetown, Cardiff.

It is an incredibly moving experience. The 5-strong cast bring such an authenticity to their memories of loved ones, with many a real tear shed, that it is impossible not to feel moved. Anthony ‘Wella’ Corria holds a particular charm, immediately creating a bond with the audience as he recounts the absurd day his community believed him to be dead. It is testament to the cast’s ability to involve their audience that, though no audience members take up their invitation to dance at the start of the show, by the end an entire crowd is bopping to Welsh classics.

Yet this is not simply a dance show. Such is the incredible variety of the piece, grief is discussed through projected interviews, live speeches and trombone solos, keeping the piece ever engaging. Porter has directed a work that may feel spontaneous, yet has such incredible nuance, portraying both the devastation of death and the unity that can be generated through celebrating someone’s life.

There is a somewhat rough-around-the-edges, messy feel to the piece. Porter enters the stage at points to assist with moving the set, and the actors engage in unprompted conversation with their spectators. Yet this only adds to the genuine atmosphere on stage. There are no ‘characters’ here. That is only epitomised by the end of the show, in which the audience is invited to join the cast in the bar next door to talk about their loved ones.

This is a purposefully rough-around-the-edges masterpiece. To describe this as a play would be dishonest. It is more of a ritual, for both audience and performer. Circle of Fifths is exactly what theatre should be.

You mightalso like

Woodhill artwork (c) Alex Powell Alex Powell

Edinburgh Fringe Review: Woodhill at Zoo Southside (Main House)

PUTTANA Credit Stefano Pradel

Edinburgh Fringe Review: Puttana at Zoo Southside (Main House)

Listings and ticket information can be found here 

James Hattan

James Hattan

James is an 18 year old student from Suffolk, holding a life-long passion for theatre, and specifically loving classic older texts that are presented in modern and exciting ways! He’s hoping to study Drama at Bristol Uni from September and when not hooked in a theatre can be found watching Oppenheimer for the 7th time.

Related Articles

Woodhill artwork (c) Alex Powell Alex Powell
Edinburgh Fringe 2026

Edinburgh Fringe Review: Woodhill at Zoo Southside (Main House)

PUTTANA Credit Stefano Pradel
Edinburgh Fringe 2026

Edinburgh Fringe Review: Puttana at Zoo Southside (Main House)

Evita TOO Image Credit Ali Wright
Edinburgh Fringe 2026

Edinburgh Fringe Review: Evita TOO at Zoo Southside (Main House)

Exit credit Jona Harnischmacher
Edinburgh Fringe 2026

Edinburgh Fringe Review: EXIT at Zoo Southside (Main House)

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Ross Gaynor Image supplied without credit by publicist

Interview: Ross Gaynor on A Slow Fire at Jermyn Street Theatre

Matthew Churcher Image supplied without credit by publicist

Interview: Matthew Churcher on Tristan & Yseult at Theatre Royal Bath

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly