• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2026

Edinburgh Fringe Review: Come From Away at Assembly Rooms (Ballroom)

"a show that will remind everyone that good exists in the world"

by Freddie Summers
August 24, 2026
Reading Time: 3 mins read
Come From Away Image supplied without credit

Come From Away Image supplied without credit

Four Star Review from Theatre WeeklyCome From Away is a musical lasting one hour and 45 minutes and performed by the Captivate Theatre company, adapting the show originally written by Irene Sankoff and David Hein for the Edinburgh Fringe. It is directed by Sally Lyall and can be found at the Assembly Ballroom.

It is based on the true story of when 38 planes carrying around 7,000 passengers landed on the remote island of Gander, Newfoundland, after 9/11 caused US airspace to be closed. The musical focuses on the islanders and their newly formed friendships with the so-called ‘plane people’ as they spend five days cohabiting together in the wake of a tragedy.

A stand-out member of the cast is Flick Hannah, who I saw performing the role of Captain Beverly Bass. Hannah has an incredible voice, and their rendition of ‘Me and the Sky’ is sure to make any audience feel as though they are soaring up with the Captain.

Additionally, Rebecca Holmes is a magnificent Hannah in Come From Away and their performance in ‘Something’s Missing’ is so gut-wrenchingly heartfelt that it had the audience around me gasping with Hannah’s pain. Their scenes alongside Beulah, played by Sarah Louise Donnelly when I attended, are incredibly warm and enjoyable.

Zander Cruickshank and Lisa Fleming share fantastic chemistry in their roles as Nick and Diane. They are funny and endearing in a way that forces the audience to root for them and become invested in their story. Similarly, Aaron De Veres and Scott Binnie are hilarious together playing the Kevins, playing off each other in a way that feels entirely natural.

You mightalso like

Flight Credit Mihaela Bodlovic

Edinburgh Fringe Review: FLIGHT at Assembly George Square

5.5. Ten Thousand Hours Simon McClure

Edinburgh Fringe Review: Ten Thousand Hours at Assembly Hall (Main Hall)

Come From Away is a heart-warming and deeply uplifting show, which the whole team at Captivate Theatre handles with grace and care. The talented cast skilfully manages the fine balance between the humorous scenes and the more sincere and sad moments. This production has been a highlight of my Fringe this year, and is a show that will remind everyone that good exists in the world.

Listings and ticket information can be found here 

Freddie Summers

Freddie Summers

I’m Freddie (she/her), 21 years old living in Edinburgh. I am university student studying Psychology and Linguistics, just finishing my second year. I have an appreciation for any and all theatre mediums and love to talk about the little details of the productions that I am able to pick up on

Related Articles

Flight Credit Mihaela Bodlovic
Edinburgh Fringe 2026

Edinburgh Fringe Review: FLIGHT at Assembly George Square

5.5. Ten Thousand Hours Simon McClure
Edinburgh Fringe 2026

Edinburgh Fringe Review: Ten Thousand Hours at Assembly Hall (Main Hall)

Mythos Ragnarok credit David Wilson
Edinburgh Fringe 2026

Edinburgh Fringe Review: Mythos: Ragnarök at Assembly Rooms (Music Hall)

Sunshine on Leith Image Supplied without credit
Edinburgh Fringe 2026

Edinburgh Fringe Review: Sunshine on Leith at Assembly Rooms (Music Hall)

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

ROLEPLAY credit Gracie Steindl

Edinburgh Fringe Review: ROLEPLAY at Summerhall

Little Animals Credit Chew Boy

Edinburgh Fringe Review: Little Animals at Traverse @ Lyceum Theatre (Studio)

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly