• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2026

Edinburgh Fringe Review: did you charge your phone for the end of the world? at Greenside @ Riddles Court (Pickle Studio)

"The conceit of the play is electric"

by Rachael Davies
August 24, 2026
Reading Time: 3 mins read
Did You Charge Your Phone for The End of The World Image Supplied without credit

Did You Charge Your Phone for The End of The World Image Supplied without credit

Four Star Review from Theatre WeeklyDid You Charge Your Phone for the End of the World? feels reminiscent of Netflix’s Don’t Look Up, sending an asteroid hurtling towards Earth. The public won’t be warned until a PR agency can find the right message to communicate it, resulting in this hour-long sequence of hilarity.

Fletcher Michael (who also wrote and directed the play), Lucy Boisvert, and Collin Dennis play three creatives who have been handed down the directive from on high, an unseen client who communicates via a harshly ringing phone throughout the show.

The oppressive corporate pressure of these calls feels more immediate and dangerous than the asteroid itself at times, highlighting the illogical focus of not just the characters in Did You Charge Your Phone for the End of the World?, but also holding up a mirror to our warped real-life priorities. It’s never felt more pressing and more relevant than in 2026, when catastrophic events like pandemics, wildfires, and war have become second nature to our news cycle.

That description might make you think you’re in for a depressing ride, but that’s far from the case. The conceit of the play is electric and that carries through into the end result, in no small part thanks to the vibrant chemistry between the three actors.

As the tension ramps up and the corporate and existential stresses increase, the actors perfectly temper comedy and drama. You’re at once on the edge of your seat and giggling at their asides. Both contribute to a sense of nervousness that persists until the play’s final moments.

You mightalso like

Shinjuku at Greenside Image supplied without credit

Edinburgh Fringe Review: SHINJUKU at Greenside (Olive Studio)

Welcome to My Room Image supplied by the company

Edinburgh Review: Welcome to my Room at Greenside @ George Street

Each character brings something different to the table, yet there’s room in the short 60 minutes for each of them to transcend their two-dimensional natures and become fully-fledged people. That’s a testament to both Michael’s writing and the talent of the trio as actors. They each give each other space to have their own moments with remarkable grace.

For anyone who has worked in marketing, advertising, or PR, there will be plenty of vernacular that feels horribly familiar, yet it’s an accessible show that truly needs to be watched by anyone who lives on Planet Earth right now. Did You Charge Your Phone for the End of the World? is of the moment, striking a fresh tone on an age-old issue that is well worth your time this Fringe.

Listings and ticket information can be found here

Rachael Davies

Rachael Davies

An Edinburgh local and long-time arts lover, Rachael Davies is a freelance journalist who loves the wide diversity of the Fringe and the festival's creativity. With a special love for feminist and LGBTQ+ retellings, she loves everything from musicals and theatre to comedy and stand-up.

Related Articles

Shinjuku at Greenside Image supplied without credit
Edinburgh Fringe 2026

Edinburgh Fringe Review: SHINJUKU at Greenside (Olive Studio)

Welcome to My Room Image supplied by the company
Edinburgh Fringe 2024

Edinburgh Review: Welcome to my Room at Greenside @ George Street

Here There Be Dragons Courtesy of the Company
Edinburgh Fringe 2024

Edinburgh Review: Here There Be Dragons: A Musical Quest at Greenside @ Riddles Court

The Royal Society of Edinburgh in George Street .Photo by Ryan Johnston
News

Greenside announce brand new city centre venue for Edinburgh Festival Fringe 2024 -Greenside @George Street

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Monsters Image supplied by publicist without credit

The Voice UK winner Anthonia Edwards to lead cast of MONSTERS: A Killer New Comedy Musical at The Other Palace

Jasper Britton (Dr. Montague), Jemma Churchill (Mrs Montague), and Sian Howard (Mrs Dudley) credit Pamela Raith

First Look Rehearsal Images Released for The Haunting of Hill House Ahead of World Premiere UK Tour

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly