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Home Edinburgh Fringe 2025

Edinburgh Fringe Review: Scatter at Underbelly Cowgate

"Terrifyingly good – a triumph of storytelling and stagecraft"

by Greg Stewart
August 9, 2025
Reading Time: 2 mins read
Scatter credit Lidia Crisafulli

Scatter credit Lidia Crisafulli

Five Star Review from Theatre WeeklyPatrick McPherson’s Scatter marks a thrilling and terrifying departure from his previous work, plunging headfirst into the horror genre with astonishing success. Known for his award-winning comedy and theatrical storytelling, McPherson now proves he is just as masterful in crafting spine-chilling suspense. This is horror theatre at its most visceral and intelligent.

Set in a remote Welsh village, Scatter follows Tom, who travels with his brother to scatter their father’s ashes. What begins as a solemn journey quickly unravels into a psychological nightmare, as buried family secrets claw their way to the surface. The plot is taut and layered, blending supernatural dread with emotional depth, and never once losing its grip on the audience.

McPherson is a magnetic performer, commanding the stage with a presence that is both unsettling and captivating. His ability to shift between vulnerability and menace keeps the audience on edge, and his storytelling prowess ensures that every twist lands with impact. The production is directed with precision by Jonny Harvey, who uses the claustrophobic Iron Belly space to full effect, amplifying the tension and unease.

       

The technical elements are nothing short of spectacular. Sarah Spencer’s sound design and Will Hayman’s lighting work in perfect harmony to create a world that feels alive with menace. Sudden bursts of noise, eerie silences, and strobe effects are deployed with expert timing, making the audience feel as though they are trapped within the horror themselves.

What makes Scatter truly exceptional is its psychological complexity. This is not horror for shock value alone, but a deeply considered exploration of grief, memory, and legacy. McPherson’s writing is sharp and evocative, drawing us into Tom’s fractured reality and refusing to let go.

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In a festival overflowing with comedy and monologue, Scatter is a bold and unforgettable experience. It is a masterclass in horror theatre, and a testament to McPherson’s versatility and vision. Terrifyingly good – a triumph of storytelling and stagecraft, Scatter is another not-to-be-missed  triumph from this incredible theatre maker.

 

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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