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Home Edinburgh Fringe 2026

Edinburgh Fringe Review: Tale of the Firebird at Assembly Roxy (Central)

"Using awe-inspiring circus, Tale of the Firebird showcases classical music in a unique light"

by Rachel Barlow
August 19, 2026
Reading Time: 3 mins read
Tale of the Firebird, photo by Carlos Hernan

Tale of the Firebird, photo by Carlos Hernan

Four Star Review from Theatre WeeklyVienna-based ensemble The Freestyle Orchestra makes its Edinburgh Fringe debut at Assembly Roxy with interdisciplinary show Tale of the Firebird.

Blending live classical music with contemporary circus, movement and physical theatre, the production was originally designed for an international ensemble of twelve performers, with each one being both a virtuosic classical musician and a world-class acrobat.

Our performance was introduced with an announcement informing us of last-minute changes. Although the piece was originally designed for twelve performers, with one unable to attend the Fringe and another replaced on the day due to illness, our particular performance was, in fact, a world premiere. We were seeing a completely unique version of the show, with a cast of eleven including one stand-in. Such is the nature of the Fringe, though, and theatre in general, that these challenges crop up and, as the saying goes, the show must go on.

If we had not been told this information at the start of the show, I’m fairly certain I wouldn’t have known that our performance was not their typical version. This in itself demonstrates the quality and admirable adaptability of the performers. It also brings up a potential topic for debate: do we need to be told of changes before a show, or should we have been told after, or not at all?

Tale of the Firebird unfolds as a vivid, fairytale-like narrative. One might find themselves lost in the music as we’re transported through the story, which is fairly straightforward to follow. What isn’t straightforward, though, is the hugely ambitious range of skills attempted. The shifting musical dynamics, alongside atmospheric lighting, further contribute to the drama and anticipation.

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From being propelled through the air to playing their instruments upside down, we soon realise the capabilities of these performers. As each section ends, we wait in anticipation of what’s coming next. The particularly spectacular firework had our audience watching with bated breath, then gasping in wonderment as remarkable feats were executed.

The Freestyle Orchestra proudly and successfully takes on the task of making the violin concerto more accessible to diverse audiences. Using awe-inspiring circus, Tale of the Firebird showcases classical music in a unique light.

Listings and ticket information can be found here

Rachel Barlow

Rachel Barlow

Rachel is a dance teacher, artist and writer based in Edinburgh. She holds an MSc Dance Science and Education and a BA(Hons) Dance. Rachel loves the beauty of Scotland and the diverse arts scene in Edinburgh.

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