Ten Thousand Hours by Gravity & Other Myths, presented by House of Oz at Assembly’s Main Hall, is a returning Fringe heavyweight. Award-winning and routinely sold out, this year marks its final run at the Fringe, and it deserves every drop of praise heaped upon it.
Ostensibly about the hours of practise required to reach a level of expertise, in reality it’s a packed hour of phenomenal acrobatics showcasing eight talented gymnasts. A digital clock flashes numbers as the performers move through a succession of beautifully choreographed set pieces, the cat-themed routine is an absolute highlight. In one compelling routine, two performers repeatedly ‘practice’ jumping onto a partner’s shoulders and twisting around, pressing the button to count down after each attempt to get it right.
Despite the simplicity of the set-up, a padded mat, flight cases and no high wires or circus rigging, the sheer athleticism on display is breathtaking. Skilfully directed by Lachlan Binns, the production adds more charm with an onstage drummer who interjects to run a very funny warm-up scene complete with audience suggestions, making the show more engaging.
Some transitions between the set pieces could have been slicker and the extended drum solo went on way too long but overall the hour flew by. What elevates Ten Thousand Hours above standard acrobatic shows is the genuine humour embedded throughout the crafted set pieces. Each routine starts with deceptive simplicity before escalating in complexity and sheer daring as the gasps and applause from the audience grow ever louder.
The accompanying soundscape, composed by Shenzo Gregorio and Nick Martyn, helps build the tension as the tumbling and vaulting grow ever more complex. Meanwhile, the lighting effects designed by Chris Petredis and assisted by Max Mackenzie enhance the balancing bodies in motion.
There were moments when I genuinely didn’t know how the performers got their bodies to move like that, holding my breath in thrilled anticipation on more than one occasion. A young child sitting in front of me was in an ecstasy of excitement. I only hope they don’t try to repeat any of the moves at home!
I highly recommend Ten Thousand Hours whether you are a long-time fan of circus or a complete novice. Even if acrobatics isn’t usually your thing, I think you’d still finish the hour cheering wildly like the rest of the audience.
Listings and ticket information can be found hereÂ
