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Home Edinburgh Fringe 2026

Edinburgh Fringe Review: The Distance at Summerhall (Main Hall)

“Thrillingly staged, impeccably performed and emotionally resonant throughout"

by Greg Stewart
August 13, 2026
Reading Time: 6 mins read
The Distance Ben Norris (c) Mihaela Bodlovic

The Distance Ben Norris (c) Mihaela Bodlovic

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Five Star Review from Theatre WeeklyBen Norris returns to the Edinburgh Fringe with The Distance, and in a festival overflowing with autobiographical storytelling, this extraordinary production manages to stand apart from the crowd. Funny, exhilarating and devastatingly moving, it is a remarkable feat of theatre that transforms one man’s sporting journey into something profoundly universal.
Based on Norris’s own experiences as a former GB athlete, the play follows Chris, a teenager whose life takes an unexpected turn when a frozen football pitch forces him into cross country running. While his classmates view it as punishment, Chris discovers a gift that will eventually propel him to the highest levels of competition. Yet The Distance is far less interested in medals than it is in the emotional cost of ambition, asking what happens when our identities become inseparable from the dreams we chase.
Norris is a captivating performer. From the moment he steps on stage he establishes an easy, conversational relationship with the audience, drawing us into Chris’s world with warmth, wit and honesty. His storytelling is beautifully controlled, balancing laugh out loud humour with moments of genuine heartbreak. As he slips effortlessly between coaches, teammates, teachers and family members, each character emerges fully realised through subtle shifts in voice, posture and energy.
What makes the achievement even more astonishing is the physical challenge that underpins the entire production. Norris spends much of the performance running on a treadmill, maintaining both the pace of the narrative and the intensity of his characterisation while undertaking an extraordinary test of endurance.
Lesser productions might rely on such a device as a gimmick, but here it becomes inseparable from the story itself. Every stride reinforces the relentless pressure of elite sport, while the show’s striking use of scaffolding creates a vivid physical landscape through which Chris climbs, hangs and pushes himself ever further.
Under Julia Locascio’s direction, the production never loses momentum. The pacing is immaculate, carrying the audience through triumph and disappointment with breathless urgency. Yet for all its athleticism, the show’s emotional core lies elsewhere. At heart, this is not simply a story about a talented runner. It is a story about family, sacrifice and the people who carry us towards our ambitions, often at great personal cost to themselves.

By the time The Distance reaches its conclusion, there is a palpable sense of having shared something deeply personal and profoundly human. Thrillingly staged, impeccably performed and emotionally resonant throughout, it crosses the finish line in magnificent style.

Listings and ticket information can be found here

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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