• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2026

Edinburgh Fringe Review: We Had Fun at Summerhall (Old Lab)

"As issue-driven theatre goes, it strikes an excellent balance between thought-provoking and entertaining"

by Rachael Davies
August 14, 2026
Reading Time: 3 mins read
We Had Fun Supplied Without Credit

We Had Fun Supplied Without Credit

Four Star Review from Theatre WeeklyWe Had Fun retraces the footsteps of two friends who come together on a drunken night out. For one, it’s the climax of a long-running chemistry; for the other, a night that didn’t go as planned.

Through clever set design and believable dialogue, the night is unpicked to show either side. Containing overt references to sexual assault and other strong themes, it explores a well-trodden topic in a way that is still refreshingly nuanced.

The intentional use of set pieces and lighting means you’re never confused about where or when the action is taking place. That helps keep the narrative tightly paced within its short 65-minute running time.

That’s not a long time to get to know the two main characters, Oscar and Ela, or their two friends, Sydney and Quinn. Nonetheless, the realistic dialogue and commanding performances from all four actors create some impressively three-dimensional characters in such a short time on stage.

It’s essential that these characters feel fully fleshed out, especially in the case of Oscar and Ela, as otherwise there’s a world in which they could come off as cartoonish. Both are flawed, both make mistakes, and the audience is invited to view them, thorns and all.

You mightalso like

Arcade Credit Katie Edwards

Edinburgh Fringe Review: ARCADE at Potterrow Plaza (Container 1)

Werewolf alt image (credit Mouce Young)

Edinburgh Fringe Review: Werewolf at Summerhall (TechCube 0)

There are moments to see their side and moments to condemn them, but ultimately the driving force of the show is that it feels like such a situation could easily crop up in our lives too. Here, it can be explored at arm’s length, with the hope that it would help anyone finding themselves in similar circumstances.

There’s a true empathy for both sides of the conflict throughout We Had Fun, without excusing any acts or invalidating any feelings.

The actors appear visibly moved at the end of the performance, adding extra weight to what is a serious topic. The artful piecing together of events allows for a slow uncovering of the night without becoming repetitive.

We Had Fun is a serious but not heavy exploration of an enduring topic. It will certainly make you think, offering a human lens on an issue that feels wholly grounded in real-world experience, laid out on stage for the audience to engage with. As issue-driven theatre goes, it strikes an excellent balance between thought-provoking and entertaining.

       

Listings and ticket information can be found here

Rachael Davies

Rachael Davies

An Edinburgh local and long-time arts lover, Rachael Davies is a freelance journalist who loves the wide diversity of the Fringe and the festival's creativity. With a special love for feminist and LGBTQ+ retellings, she loves everything from musicals and theatre to comedy and stand-up.

Related Articles

Arcade Credit Katie Edwards
Edinburgh Fringe 2026

Edinburgh Fringe Review: ARCADE at Potterrow Plaza (Container 1)

Werewolf alt image (credit Mouce Young)
Edinburgh Fringe 2026

Edinburgh Fringe Review: Werewolf at Summerhall (TechCube 0)

Corpse, Kirsty Mann Adelaide Fringe 2026. Credit Jennifer Forward Hayter
Edinburgh Fringe 2026

Edinburgh Fringe Review: KIRSTY MANN: CORPSE at Summerhall (Red Lecture Theatre)

I AM JOHNNY Credit Elly Wel Photography
Edinburgh Fringe 2026

Edinburgh Fringe Review: I AM JOHNNY at Summerhall (Red Lecture Theatre)

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Greatest Showman Oliver Tompsett & Samantha Barks Photo by Sebastian Nevols (1)

The Greatest Showman will open in the West End at Theatre Royal Drury Lane in 2027

@Jenna Image supplied without credit

Edinburgh Fringe Review: @Jenna at C Venues (C Aquila)

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly