• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2024

Edinburgh Review: Author, Composer, Soldier-of-a-Sort at Greenside @ Riddles Court

"intriguing, informative, and understated"

by Sass MacDonald
August 9, 2024
Reading Time: 3 mins read
Author, Composer, Soldier of a Sort image courtesy of the company

Author, Composer, Soldier of a Sort image courtesy of the company

Author, Composer, Soldier-of-a-sort (Willow Studio at Greenside @ Riddles Court) is “A celebration of the enduring friendship between Ivor Gurney and Marion Scott.” The title is intriguing, and the description on the flyer drew me in. Who are—or were—these people, and what was their story? I assumed—rightly—that the backdrop would be the Great War and also that it might be about unrequited love or love cut short through a heroic death. I also assumed it would be about music and poetry. I was almost right.

Author, Composer, Soldier-of-a-sort is, for sure, a passion piece, and although it’s about a lot of the themes I expected, it’s actually the story of a long-held platonic friendship and tells the story of both Gurney and Scott. It’s about love and passion, but the passion is for words and music. It’s about the futility of war and the devastating impact of untimely deaths and being gassed. It’s about women’s rights and Scott fighting for them. Though we may not have heard of them before, Gurney and Scott’s stories have a familiar ring.

Jan Carey both wrote and performs this piece, with a quiet, refined accent for Scott and a lovely Gloucestershire burr for Gurney. Gurney came to life more for me, though Scott’s determination to ensure women were equally represented in a male-dominated workplace was passionately obvious.

The show is simply staged—just a table and chair with a table lamp, with the latter being used for effect occasionally. There was one staging surprise (no spoiler!), brilliantly employed. There is occasional music. It sets the scene initially (though perhaps for a little too long for my liking) and is used intermittently to highlight parts of the story. And extracts from Gurney’s written work also help the audience to understand the character of the man.

Author, Composer, Soldier-of-a-sort is intriguing, informative, and understated. The performance was word-perfect: this is not its debut. Its quiet gentility is in sharp contrast to the hustle and bustle of Edinburgh during the Fringe and will suit those who crave that and will likely send them back out into the world with a lot to think about—but quietly.

You mightalso like

I'm Going to Reveal Something Personal About Myself Image Supplied without Credit

Edinburgh Fringe Review: I Am Going to Reveal Something Personal About Myself at Greenside @ Riddles Court

Bride To Be Supplied by the company without credit

Edinburgh Fringe Review: Bride To Be at Greenside @ Riddles Court (Thistle Theatre)

Sass MacDonald

Sass MacDonald

Avid theatre-goer and long-time supporter of the Edinburgh Fringe, Fife-based Sass will go to any lengths - well almost - to get tickets for the productions she wants to see. Loves film, theatre, ballet, poetry, gigs, classical music and post-production get-togethers with friends to discuss and dissect.

Related Articles

I'm Going to Reveal Something Personal About Myself Image Supplied without Credit
Edinburgh Fringe 2026

Edinburgh Fringe Review: I Am Going to Reveal Something Personal About Myself at Greenside @ Riddles Court

Bride To Be Supplied by the company without credit
Edinburgh Fringe 2026

Edinburgh Fringe Review: Bride To Be at Greenside @ Riddles Court (Thistle Theatre)

See You Tomorrow (Photography Imo Cottrill)
Edinburgh Fringe 2026

Edinburgh Fringe Review: See You Tomorrow at Greenside @ Riddles Court

Jack Michael Stacey, photo by Phil Sharp
Edinburgh Fringe 2026

Edinburgh Fringe Interview: Jack Michael Stacey on THE LIBRARIANS: A Very Serious Comedy! at Pleasance Courtyard

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Flotsam Image supplied by publicist without credit

OperaUpClose and Half Moon Announce National Tour of New Children’s Opera Flotsam

Bloodsport After Helen of Troy credit Tristram Kenton

Review: Bloodsport: After Helen of Troy at Stratford East

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly