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Home Edinburgh Fringe 2024

Edinburgh Review: Cat in the Hat at Pleasance Courtyard

"a delightful and entertaining experience for children and adults alike"

by Owain Rose
August 12, 2024
Reading Time: 2 mins read
Cat in the Hat image supplied by the company

Cat in the Hat image supplied by the company

Four Star Review from Theatre WeeklyThe Cat in the Hat is playing at the Pleasance Courtyard until the 18th of August. This stage adaptation of the much-loved children’s story is a fun-filled family adventure brimming with mischief and high energy, guaranteed to keep young audiences captivated. The set, lovingly crafted, resonates with Dr. Seuss’s original illustrations, immersing the audience in the whimsical world of the Cat.

The two actors portraying the siblings are lively and engaging, striking a perfect balance between dialogue and speech in unison to drive the simple narrative forward. Adapting a brief book into a 50-minute show is no easy task, yet this production successfully avoids the pitfalls of unnecessary filler.

Instead, it maintains a brisk pace with consistently amusing and energising set pieces, including child-pleasing elements like bubbles, inflatable balls, and classic slapstick humour.

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The Cat has plenty of charisma and strong comedic timing, with dual-layered ad libs that had the children and adults in the room chuckling. The piece really elevates in energy and drama during the introduction of Thing 1 and Thing 2. These mischievous characters inject even more chaos into the story, creating obstacles for the children as they frantically try to clean up before their mother returns.

The ensemble cast, who displayed tight choreography and well-coordinated timing, keep the show lively and upbeat.

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Backed by a strong soundtrack and high production values, The Cat in the Hat is a delightful and entertaining experience for children and adults alike.

Owain Rose

Owain Rose

Owain is a lecturer in Acting and Drama at the University of Northampton. Side careers in performing, writing and directing theatre when the opportunities arise. He has an MA in Actor Training and Coaching from the Royal Central School of Speech and Drama.

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