• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2018

Edinburgh Review: Murder, She Didn’t Write at Pleasance Courtyard

by Joe Hunter
August 4, 2018
Reading Time: 3 mins read
Murder-She-Didnt-Write (1)Murder-She-Didnt-Write (1)

Murder, She Didn't Write

Four Star Review from Theatre WeeklyThere is always a wide variety of improv shows at the Fringe, because isn’t unpredictable chaos the true meaning of the festival? Murder, She Didn’t Write: The Completely Improvised Murder Mystery provides the audience with the choice of pretty much every key element of the murder in question, including the location and murder weapon as well as the victim and murderer themselves.

Over the years Degrees of Errors’ ridiculous murderous romp has built a strong following at the Edinburgh Fringe, and you can see why when it is so clear how much fun each actor is having on the stage, and you can’t help but just want to join in on the action.  It’s also a show that people of all ages will find hilarious (although their will most likely be some jokes for the more mature audiences).

However, at points, the show’s pace did somewhat stumble and slowed the show’s plot, which just isn’t as enjoyable as when the rest of the show is so fast-paced and chaotic. Also, as is the same with most improv shows, the funniest parts were when the actors came out of character, or made continuity errors, which faces me with a dilemma because I want to praise the show for being hilarious at these parts, but this is what actors are supposed to avoid doing. But I guess the fun with completely improvised shows lies in the fact that pretty much nothing is going to go to plan.

       

Each actor holds their own throughout the show, and brings both a likeability as well as a caricaturish sense of evil to their character. The most noticeable and impressive thing about this show is the fact that every person involved brings their own unique sense of humour to it without overtaking another member of the cast. They are all bringing the same amount to the crazy machine that is this show.

In conclusion, Murder, She Didn’t Write: The Completely Improvised Murder Mystery is definitely a show that you will enjoy massively if you’re in the mood for something light and stupidly fun. However, if you’re the kind of person who goes to the Fringe to be challenged and have your thoughts provoked, this is probably one you can afford to miss.

You mightalso like

Charlotte McBurney photo by Francis Ware

Edinburgh Fringe Interview: Charlotte McBurney on The City for Incurable Women at Pleasance Courtyard

Mark Thomas headshot photo by Tony Pletts

Edinburgh Fringe Interview: Mark Thomas on Trouble, Struggle, Bubble and Squeak at Pleasance Courtyard

Joe Hunter

Joe Hunter

I believe any piece of theatre, regardless of form, style or genre should be able to teach or make the audience feel something new. That is the true meaning of theatre to me, and I plan to take every opportunity to learn and feel that I can.

Related Articles

Charlotte McBurney photo by Francis Ware
Edinburgh Fringe 2025

Edinburgh Fringe Interview: Charlotte McBurney on The City for Incurable Women at Pleasance Courtyard

Mark Thomas headshot photo by Tony Pletts
Edinburgh Fringe 2025

Edinburgh Fringe Interview: Mark Thomas on Trouble, Struggle, Bubble and Squeak at Pleasance Courtyard

Lubna Kerr, photo by Lubna Kerr
Edinburgh Fringe 2025

Edinburgh Fringe Interview: Lubna Kerr on Lunchbox at Pleasance Courtyard

Aaron Pang, photo by Aaron Pang
Edinburgh Fringe 2025

Edinburgh Fringe Interview: Aaron Pang on Falling: A Disabled Love Story at Pleasance Courtyard

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Clive Rowe in rehearsals for THE ADDAMS FAMILY credit Pamela Raith

Interview: Clive Rowe on The Addams Family on Tour

Sinead Matthews and Cast in Til The Stars Come Down credit Manuel Harlan

First Look: Till the Stars Come Down Opens at Theatre Royal Haymarket

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly