• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2023

Edinburgh Review: Nuclear Children at Pleasance Courtyard

“an unmissable show, one which I left with tears in my eyes”

by Freddie Summers
August 8, 2023
Reading Time: 3 mins read
Nuclear Children credit Alex Brenner

Nuclear Children credit Alex Brenner

Five Star Review from Theatre WeeklyNuclear Children is a one-person dark comedy piece written and performed by Ezra England (they/them) and directed by Seán Linnen (he/they). Produced by Platform Presents, this hour-long monologue focusing on grief and mental health is being shown in The Attic at the Pleasance Courtyard.

The comedy centres around Isla, a young adult just starting university while at the same time dealing with the loss of their father in a submarine accident and their ensuing declining mental health. Isla periodically lapses into one-sided conversation with their father, as well as narrating anecdotes to the audience – included but by no means limited to their experiences with Molly, their bird-and-toaster-obsessed roommate.

The stage is simply set up – a canvas of blue lines the floor and the wall behind where England performs, in the centre is a staircase partially sunk into the ground and sending ripples outwards from it. Isla spends much of their monologue seated on these steps, arms wrapped around their knees – stranded and alone.

       

Initially, I was unsure how to feel about England’s performance in Nuclear Children – there seemed little emotion as they started their monologue. However, it didn’t take long for me to become utterly enchanted by their words – they showed the audience how Isla was not comfortable talking about their emotions and what happened, and how that has affected their familial relationships following their father’s accident. As they said during the piece, largely they just felt numb.

Moments of intense vulnerability punctuate England’s otherwise deadpan and quippy performance, making the piece all the more impactful. To get their audience to go from laughing at a joke in one moment to blinking away tears in the next is a skill England excels at.

You mightalso like

The History Boys 20th Anniversary Production credit Marc Brenner

First Look: The 20th Anniversary Production of Alan Bennett’s The History Boys

Shellshocked credit Craig Lomas

Edinburgh Review: Shellshocked at Pleasance Courtyard

There is no better way to describe Nuclear Children than as a dark comedy. For, as amusing as my fellow audience members and I found the production, there was a part of me certain I shouldn’t be laughing at Isla’s jokes relating to their deceased father. It is an unmissable show, one which I left with tears in my eyes and a desperation to tell my friends to go and see.

Freddie Summers

Freddie Summers

I’m Freddie (she/her), 21 years old living in Edinburgh. I am university student studying Psychology and Linguistics, just finishing my second year. I have an appreciation for any and all theatre mediums and love to talk about the little details of the productions that I am able to pick up on

Related Articles

The History Boys 20th Anniversary Production credit Marc Brenner
First Look

First Look: The 20th Anniversary Production of Alan Bennett’s The History Boys

Shellshocked credit Craig Lomas
Edinburgh Fringe 2024

Edinburgh Review: Shellshocked at Pleasance Courtyard

Rita Lynn Life Coach Credit Damian Robertson.jpg
Edinburgh Fringe 2024

Edinburgh Review: Rita Lynn: Life Coach at Pleasance Dome

Kafka's Metamorphosis The Musical! With Puppets! Morgan Smith, Blake Du Bois, Kaia Fitzgerald, Luis Rivera, credit to Matthew Turner
Edinburgh Fringe 2024

Edinburgh Review: Kafka’s Metamorphosis: The Musical! With Puppets! at Pleasance Dome

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Reading Rep Season image supplied by publicist

Reading Rep Theatre Unveils Ambitious 2025/26 Season Featuring First Musical and Major Revivals

Daniel Abelson in Praise of Love rehearsals credit Ellie Kurttz

Interview: Daniel Abelson on In Praise of Love at the Orange Tree Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly