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Home Edinburgh Fringe 2024

Edinburgh Review: Shellshocked at Pleasance Courtyard

"a powerful and thought-provoking piece of theatre"

by Greg Stewart
August 12, 2024
Reading Time: 3 mins read
Shellshocked credit Craig Lomas

Shellshocked credit Craig Lomas

Five Star Review from Theatre WeeklyShellshocked, the stunning and compelling new play by Philip Stokes, currently showing at Pleasance Courtyard, is a poignant exploration of the psychological aftermath of war. This production, directed by the writer with precision and sensitivity, delves into the complexities of trauma and the human spirit’s resilience in the face of adversity.

The story centres around Wesley, a young soldier grappling with the debilitating effects of shell shock after experiencing the horrors of war. As Wesley navigates a post-war world, he encounters Mr. Lupine, a domineering and self-absorbed artist. The dynamic between these two characters forms the crux of the play, offering a rich tapestry of emotional and psychological tension.

Jack Stokes (former winner of Best Solo Performance at Edinburgh Fringe) delivers a heart-wrenching performance as Wesley, capturing the character’s vulnerability and inner turmoil with remarkable depth. His portrayal is both haunting and empathetic, drawing the audience into Wesley’s fractured world.

Lee Bainbridge, as Mr. Lupine, provides a striking contrast with his portrayal of an older man whose arrogance masks deep-seated insecurities. Bainbridge’s performance is both unsettling and compelling, adding layers to the narrative as the two characters engage in a psychological battle. The chemistry between Stokes and Bainbridge is palpable, making their interactions charged with intensity and unpredictability.

Stokes’ script is a masterful blend of dark humour and poignant drama, weaving together themes of jealousy, self-loathing, and the quest for redemption. The dialogue is sharp and incisive, with moments of levity that provide relief from the play’s darker themes.

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The production benefits from a minimalist set design that effectively evokes a sense of entrapment, mirroring Wesley’s psychological state. The use of lighting and sound enhances the atmosphere, immersing the audience in the emotional landscape of the characters, with the evocative music heightening stakes.

Shellshocked manages to achieve something that is rare at the Fringe, it keeps the audience on the edge of their seats throughout.  There are so many twists and turns, you never really know where the story will go next, and each turn that it does take is more surprising than the last.  This team have delivered some incredible work at the Fringe over the last few years, but this may just be their magnum opus.

Shellshocked is a powerful and thought-provoking piece of theatre that challenges audiences to reflect on the enduring impact of war on the human psyche. With its strong performances and insightful writing, this production is the must-see show of the Edinburgh Fringe, offering a moving and unforgettable experience.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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