In the unlikely setting of a lecture theatre, we are introduced to Ouida Bert, who begins her lecture by introducing us to the psychology behind paranormal sightings. As the show continues, we start to see Ouida fall apart, going from this put-together professor, reverting back to her childhood self and revealing the difficult relationship she has with both of her parents, her current Head of Department, and her own grasp on reality.
Some laughs and some tears, this show had just the right balance of sentimentality. Certainly a show you should spend your time at this Fringe.
Lucy Roslyn’s performance as Ouida was completely captivating from start to finish. The level of intricacy in this show, not only in characterisation but in its devising too, was impressive and makes for a deeply emotional show. It is a challenge to create such an engaging performance with such a minimal set design, but the use of multimedia during the performance really helped to keep things engaging, as well as Roslyn’s dynamic performance.
At no point did I find my thoughts were wandering. It was also lovely to see a subtitle reader at the side of the stage to make the performance more accessible, something not often seen at Fringe shows. All of these elements serve to create a vulnerable and likeable pair of characters and leave audiences feeling deeply emotional.
The references to Devonian culture and fantasy also bring out a sense of whimsicality, reverting the audience back to their own childhood. Its interrogation of reality leaves you reflective on your own paranoid habits—what is really going bump in the night?
Truly a charming little show and a brilliant way to start a day off at the Fringe this year. Piskie is vulnerable, moving, and whimsical.
