• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2024

Edinburgh Review: RTFM (Read The F***ing Manual) at Greenside @ Riddles Court

"a frustrating and disappointing experience"

by Nathalie Friel
August 12, 2024
Reading Time: 3 mins read
RTFM image supplied by the company

RTFM image supplied by the company

Read The F**ing Manual in Greenside, Riddle’s Court at Venue 16 was a disappointing experience, even with its brief 40-minute runtime. The show, intended to evoke chaos and intensity, instead left the audience bewildered and impatient, starting with a 15-minute delay that was poorly communicated. The anticipation in the queue quickly turned to annoyance, setting the tone for what would be a confusing and lacklustre performance.

The show began with the actors interacting with the audience in the passageway before the actual stage, negotiating how they would get the boxed flat-pack wardrobe down the stairs. While this immersive approach initially held some promise, it quickly became tiresome. The actors’ attempts to involve the audience by asking for help with the wardrobe lacked imagination, reducing the experience to mundane tasks like holding objects or watching over items. This theme of audience participation quickly grew stale, feeling more like a gimmick than a meaningful part of the narrative.

The introduction of war commentary via sporadic news flashes added another layer of confusion. I felt more information needed to be shared to understand and set the scene. I wanted to be more invested in the story, but I feel the voiceovers only left the audience more in the dark, offering vague information that felt far-fetched in relation to what was happening on stage. These moments felt entirely disconnected from the central plot, creating an awkward clash between the mundane task of furniture assembly and the supposed backdrop of conflict and adversity. The transitions into trance-like states by the characters during these segments only added to the disjointed feel of the performance.

       

The actors, while clearly committed to their roles, struggled with a script that felt overly prescriptive and difficult to follow. Their intense portrayal lacked nuance, creating a distance between the characters and the audience. Rather than feeling emotionally invested in their journey, I found myself indifferent and, at times, irritated by the melodrama.

The show’s intent to engage the audience emotionally and actively fell flat. Instead of fostering connection, it drove at least six audience members to quietly exit before the play concluded—a telling sign of its misfiring. Overall, Read The F**ing Manual was a frustrating and disappointing experience, leaving many of us wishing we had a manual to understand what the show was trying to achieve.

You mightalso like

Nikolay Mulakov image credit Sergey Novikov

Interview: Nikolay Mulakov on Vanya Is Alive at Jermyn Street Theatre

The Spotlight Conference Image supplied by publicist

Debbie McWilliams, Ben Frow and Shaheen Baig Honoured at Inaugural The Spotlight Conference

Nathalie Friel

Nathalie Friel

Dramatherapist, theatre-maker and lover of performing arts.

Related Articles

Nikolay Mulakov image credit Sergey Novikov
Interviews

Interview: Nikolay Mulakov on Vanya Is Alive at Jermyn Street Theatre

The Spotlight Conference Image supplied by publicist
News

Debbie McWilliams, Ben Frow and Shaheen Baig Honoured at Inaugural The Spotlight Conference

White Lies credit Ben Rector Photography
Edinburgh Fringe 2025

Edinburgh Fringe Review: White Lies at Greenside Riddles Court

Sam Hardie photo by Tommy Ga Ken Wan
Interviews

Interview: Sam Hardie on Grease at Pitlochry Festival Theatre

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Wasp photo by Ross Kernahan

Review: The Wasp at Southwark Playhouse Borough

Flush Credit Alex Brenner

Review: FLUSH at the Arcola Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly