• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2018

Edinburgh Review: Snow Queen at Gilded Balloon Teviot

by Joe Hunter
August 6, 2018
Reading Time: 3 mins read
The Snow Queen Edinburgh Fringe

The Snow Queen Edinburgh Fringe

Four Star Review from Theatre WeeklyHans Christian Andersen’s classic tale The Snow Queen is brought to the Gilded Balloon Teviot’s stage in this charming, captivating adaptation, written by Tatty Hennessy. Greta discovers that her brother, Kay, has been stolen away by the mysterious Snow Queen and replaced with a mean-spirited imposter. She becomes friends with a mischievous talking crow and they journey to the North Pole to save Kay in this innovative new production about friendship and loyalty fit for all the family.

The production features a lot of simple yet effective puppetry, specifically the crow puppet, operated by James Tobin. The lifelike motions of the puppet captured the audience, and as it glided smoothly across the stage, I often forgot that there was a person manoeuvring it right behind. Another example of puppetry is how the Snow Queen herself, trapped in a mirror causing her to be evil, is represented using shadow puppetry, another thing that fascinated especially the younger members of the audience. These small elements in shows like this could be very important in sparking a young audience member’s interest in these aspects of theatre.

Jessica Arden is a brilliant lead showcasing her talent in her character’s insecurity about how she is still considered a ‘little girl’ followed by her courage as she voyages to save her brother. She is accompanied by the aforementioned James Tobin as the crow (who also played Kay, showing a great contrast between the two characters) and Jenny Wilford, who narrated the piece, as well as playing a variety of characters throughout the show. Wilford’s commentary throughout the piece adds more imagery to the world in which it’s set, still allowing the children in the audience to use their imagination, while the cast construct parts of the world on stage (like a makeshift plane that Greta assembles out of random belongings in her attic.)

       

The one fault I had with this production is the occasional attempt to reference things that younger children would find relevant today (bitcoin, gangnam style, etc.) somewhat took away from the delicacy and magic of the story and sort of brought the tone down in a couple of scenes.

However, with a heartfelt script, playful direction from Scott Ellis and brilliant performances from each member of the cast, Snow Queen is definitely a show that neither you nor your young ones are going to want to miss.

You mightalso like

NYT REP Company members performing Dracula (credit Manuel Harlan)

Review: Dracula at NYT Workshop Theatre

Let The Right One In Image supplied by publicist

Let the Right One In Joins National Youth Theatre’s 2026 REP Season at Underbelly Boulevard Soho

Joe Hunter

Joe Hunter

I believe any piece of theatre, regardless of form, style or genre should be able to teach or make the audience feel something new. That is the true meaning of theatre to me, and I plan to take every opportunity to learn and feel that I can.

Related Articles

NYT REP Company members performing Dracula (credit Manuel Harlan)
Reviews

Review: Dracula at NYT Workshop Theatre

Let The Right One In Image supplied by publicist
News

Let the Right One In Joins National Youth Theatre’s 2026 REP Season at Underbelly Boulevard Soho

NYT Assemble Image supplied by publicist
News

National Youth Theatre Announces Landmark 70th Anniversary Season and £2.36M Inclusion Grant

BED The Musical photo by Steve Ullathorne
Edinburgh Fringe 2023

Edinburgh Review: Bed: The Musical at Gilded Balloon Teviot

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Alexandra Burke as Chaka Khan & cast in I'M EVERY WOMAN, credit Danny Kaan

I’m Every Woman – The Chaka Khan Musical to transfer to Troubadour Wembley Park Theatre

Toby Stephens (Martin Dysart), Noah Valentine (Alan Strang), and Lindsay Posner credit Manuel Harlan

First look images released for Menier Chocolate Factory’s revival of Equus

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly