• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2018

Edinburgh Review: Velvet at Pleasance Courtyard

by Greg Stewart
August 9, 2018
Reading Time: 2 mins read
Velvet Edinburgh Fringe

Velvet Edinburgh Fringe

Five Star Review from Theatre WeeklyThe thing about Edinburgh Fringe is that it always has its finger on the pulse, if something is happening in the world than there’s almost certainly a fringe show about it.  Unsurprisingly, the recent #MeToo movement is a dominating theme this year, but Tom Ratcliffe’s Velvet reminds us that sexual harassment isn’t just something experienced by women.

Ratcliffe is both writer and performer in this production, and he shows himself as particularly adept at both.  He plays a young gay actor, on the bottom rung of the career ladder but desperate to climb to the top as quickly as possible.  All manner of opportunities present themself but just how far is he prepared to go for fame and fortune?

The character doesn’t make particularly good decisions, and is led astray perhaps a little too easily, but the shrewdness of the script allows us to really focus in on, and understand the reasons these choices have been made.  Both shocking and poignant Velvet gives us plenty to think about, and in ways we’ve probably never thought about the subject before.

    XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

Ratcliffe plays a number of characters, including a city slicker boyfriend and casting director. The transition between the characters is fast-paced and it’s sometimes a little difficult to keep up, but the overall performance is very strong indeed.  By the point he declares “I hate myself” he looks emotionally drained, and the audience can empathise with that too.

Director, Andrew Twyman has allowed Ratcliffe to tell the story in a beautifully honest way, while Grindr and Whatsapp conversations appear on a screen behind.  Of course, this is a very topical play and it had it not been for the events of the last twelve months could easily have been dismissed as outlandish.

You mightalso like

Jack Michael Stacey, photo by Phil Sharp

Edinburgh Fringe Interview: Jack Michael Stacey on THE LIBRARIANS: A Very Serious Comedy! at Pleasance Courtyard

Giraffe, Abigail Weinstock, photo by Rebecca Need Menear

Edinburgh Fringe Interview: Abigail Weinstock on Giraffe at Pleasance Courtyard

Instead Velvet allows us a glimpse at a terrifying scenario which brings agony and heartbreak to the protagonist.  Tom Ratcliffe, in both his writing and performance shares a darkly comic story which borders on being a taught thriller, as the audience are left wondering what will happen next.  This is a refreshingly emotional play which keep audiences enthralled from beginning to end.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Jack Michael Stacey, photo by Phil Sharp
Edinburgh Fringe 2026

Edinburgh Fringe Interview: Jack Michael Stacey on THE LIBRARIANS: A Very Serious Comedy! at Pleasance Courtyard

Giraffe, Abigail Weinstock, photo by Rebecca Need Menear
Edinburgh Fringe 2026

Edinburgh Fringe Interview: Abigail Weinstock on Giraffe at Pleasance Courtyard

Charlaina Thompson Image supplied without credit by publicist
Edinburgh Fringe 2026

Edinburgh Fringe Interview: Charlaina Thompson on DUST at Pleasance Courtyard

Reperations Maryam Garad Image supplied without credit by publicist
Edinburgh Fringe 2026

Edinburgh Fringe Interview: Maryam Garad on REPARATIONS at Pleasance Courtyard

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Robota Credit Helen Murray

Review: ROBOTA at Stephen A. Schwarzman Centre for the Humanities

The Turn of the Screw Cast Images supplied by publicist without credit

Cast announced for Morgan Lloyd Malcolm’s new adaptation of The Turn of the Screw

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly