• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Interviews

Interview: Alex Bhat on Overruled, Part of Shaw Shorts, at Orange Tree Theatre

"I really wish the audience could see the amazing work everyone behind the scenes at the Orange Tree is doing in order to bring live theatre back. It would make for a fantastic George Bernard Shaw play"

by Greg Stewart
May 26, 2021
Reading Time: 3 mins read
Alex Bhat

Alex Bhat

Alex Bhat stars in Overruled, part of Shaw Shorts at The Orange Tree Theatre – a double bill of Bernard Shaw’s short plays directed by Artistic Director Paul Miller.

Bernard Shaw wrote more than sixty plays in his lifetime, including Man and Superman, Pygmalion, Saint Joan, Major Barbara, Heartbreak House, and The Doctor’s Dilemma. Shaw was awarded the 1925 Nobel Prize in Literature.

The production opens on 26 May, with previews from 22 May, and runs until 26 June. It will be streamed live via OT On Screen on 3 and 4 June. Tickets are on sale here

       

You’re appearing in Overruled, part of Shaw Shorts, at the Orange Tree Theatre, what can you tell us about this production?

At the root of it it’s a play about people who are in relationships with others and at odds with themselves. Whilst being at odds with others and in relationships with themselves. I think. The production will be super because Paul Miller is our leader and he and his team are incredible.

What are you most looking forward to about being on stage in front of an audience again?

The feel of people watching something together again, the feel of people applauding again (if they do), the feel of people muttering under their breath when they don’t agree with something you’ve said.

You mightalso like

The cast of Duet For One Rehearsals photo by Helen Murray

First Look: Duet For One at The Orange Tree Theatre in Rehearsal

Alex Bhat in Arms and the Man photo by Ellie Kurttz

Review: Arms and the Man at The Orange Tree Theatre

Why do you think Shaw Shorts is an ideal production for the return of live theatre?

Because they are short, quite funny and short. And my cast mates are fantastic in them. But to answer that question properly: you probably have to witness them.

Do you feel a certain pressure taking on a role in such a classic piece?

Absolutely I do. No matter how stuffy you found him at school, George Bernard Shaw was a good writer. I feel a great deal of responsibility to overcome my fear of being terrible, say the lines in the order he wrote them, and not fall off any of the furniture. I usually succeed in one of those.

Tell us what measures are in place to keep audiences, cast and crew safe when the show opens?

There are incredibly scientific seating diagrams which Simon Daw, the designer, has mapped out in order to keep every single audience member socially distanced from each other and the cast at all times during the show. It looks like someone had a circle drawing party on a big sheet of paper. The actors are taking lateral flow tests and Jenny Skivens and the entire stage management team have been and will be doing an incredible job of keeping everyone safe. I really wish the audience could see the amazing work everyone behind the scenes at the Orange Tree is doing in order to bring live theatre back. It would make for a fantastic George Bernard Shaw play.

What would you say to anyone thinking of booking tickets to Shaw Shorts?

Do it when you’re ready. But if you’re ready, do it.

       
Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

The cast of Duet For One Rehearsals photo by Helen Murray
First Look

First Look: Duet For One at The Orange Tree Theatre in Rehearsal

Alex Bhat in Arms and the Man photo by Ellie Kurttz
Reviews

Review: Arms and the Man at The Orange Tree Theatre

Jonathan Tafler
Interviews

Interview: Jonathan Tafler on Arms and the Man at The Orange Tree Theatre

The Circle at Orange Tree Theatre
News

The Orange Tree Theatre Reveal Final Three Plays of 2022/23 Season

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

A Midsummer Night's Dream Rehearsals credit Manuel Harlan

First Look: Rehearsal Photos Released for A Midsummer Night’s Dream at the Bridge Theatre

Jeevan Braich (Rusty) in Starlight Express (Photo Credit Pamela Raith)

Starlight Express Deluxe Edition Album Featuring 2024/25 Cast Now Available to Pre-Order

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly