Ailsa Davidson stars as Marie Curie in the English language premiere of major new musical Marie Curie, with Book & Lyrics by Seeun Choun and music by Jongyoon Choi.
A story of life and death, Marie Curie has already captivated audiences in Korea and Japan with its sweeping score and story and is now brought to London audiences for the first time in a stirring
original production directed by Sarah Meadows (Ride).
Marie Curie is at Charing Cross Theatre 1st June to 28th July 2024
You’re starring in Marie Curie at Charing Cross Theatre, what can you tell us about the show?
It is a piece that encompasses several elements of storytelling through music, book, visual language and sound design. It takes the audience on a journey through the life and work of Marie Curie and dips in and out of fact and fiction so that we not only understand what she achieved, but the legacy that she left behind her.
What was it about this new musical that made you want to be part of this production?
The team really appealed to me. The fact that an almost entirely female creative team is telling a story about a prolific woman in our history felt so important. The prospect of working with our director, Sarah Meadows (RIDE the musical), was such a determining factor in me auditioning for the project.
You’re playing Marie Curie, tell us a little about the character and what you love about the role?
Well, she is one of the most notable and prolific women to ever exist in the world of science. Her discoveries changed the world. She is, however, far from infallible which I think is the most interesting thing about her.
And what do you think will be the biggest challenge?
She is led by intellect and I am led by emotion. We approach life in very different defaults and it is really interesting finding ways to be unmoved in moments where I personally would be. That’s not to say she was completely cold, she just has a default setting that differs from my own instincts.
How would you describe the music in Marie Curie?
It has a very epic score, swooping and grand at times. There are points which feel really operatic and sometimes it sounds like it could almost be sung through. Jongyoon Choi has written such a beautiful score and I know audiences will leave wanting to hear it over and over again.
What would you say to anyone thinking of booking to see Marie Curie?
Supporting new work is integral in the arts. I genuinely think this show will move, stimulate and provide a sense of escapism for our audiences
