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Home Interviews

Interview: Eileen Browne on Handa’s Surprise at The Little Angel Theatre

"The theatre magically creates a sunny Kenyan village in the heart of London. The costumes, artefacts, songs and dance transport the young audience from their own environment to a new country"

by Greg Stewart
February 17, 2022
Reading Time: 3 mins read
Eileen Browne

Eileen Browne

Eileen Browne is the author of classic picture book Handa’s Surprise which has been adapted for the stage and is returning to The Little Angel Theatre.

Directed by Marleen Vermeulen with set design by Sophia Lovell Smith and puppets made by Peter O’Rourke, this production uses a blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!

Based on the bestselling book written and illustrated by Eileen Browne (and aimed at 2-5 year olds) Handa’s Surprise is at the Little Angel Studios until 16 April before heading out on tour in the Spring.

       

The stage adaptation of your picture book, Handa’s Surprise, is coming to The Little Angel Theatre, what can you tell us about the play?

In the book, Handa is carrying seven delicious fruits in a basket on top of her head. One by one, animals creep up and steal the fruit. Handa can’t see what’s happening – but the reader can!

The book has been named one of the most culturally diverse in the UK, how will the play reflect that?

The theatre magically creates a sunny Kenyan village in the heart of London. The costumes, artefacts, songs and dance transport the young audience from their own environment to a new country. All the care taken to be authentic in the book has been echoed in the play.

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It’s a warm, welcoming production for young children with just the right levels of humour and excitement to engross 2-5 year olds.

What excites you the most about what director, Marleen Vermeulen, has done with the piece?

Marleen has ensured that the audience becomes part of the Kenyan village, by sitting around the outside and looking in. The actors move to ensure that everyone can easily see what’s happening and bring the smaller puppets close to the children.

After the run at The Little Angel, the production will tour: why do you think it’s important young audiences up and down the country get to enjoy Handa’s Surprise?

All children should have a chance to experience live theatre, not just those in London.

What are you looking forward to about seeing the cast bring your characters to life?

Over the years, every production I’ve seen has been slightly different. The actors are also puppeteers; they’re doing two jobs at once and putting their own interpretations into the performances. It will be wonderful to see what the 2022 actors bring to this play.

       

What would you say to anyone thinking of booking tickets to see Handa’s Surprise?

This is an uplifting and joyful event for small children. They should leave the theatre feeling warm and happy inside!

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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