Olivier Award-nominated actor Greg Hicks returns to Arcola Theatre to lead the cast of David Edgar’s adaptation of Henrik Ibsen’s The Master Builder. Directed by Artistic Director Mehmet Ergen, this major revival brings one of theatre’s most powerful dramas back to the London stage.
Hicks stars as the ageing architect Halvard Solness, whose carefully constructed world is disrupted by the arrival of the enigmatic Hilde. Exploring ambition, power, desire and legacy, The Master Builder examines what happens when past actions collide with present realities.
The Master Builder runs at Arcola Theatre from 16 October to 21 November 2026, with press night on 22 October. Tickets can be booked here.
You’re starring in The Master Builder at Arcola Theatre, what can you tell us about the show?
It’s a haunting enigma. Compelling in its desperation, manipulation and longing for love… and revenge.
Halvard Solness is one of Ibsen’s most complex and challenging characters. What drew you to the role and how have you approached bringing him to life?
The role drew itself to me… that’s how it works best on a metaphysical level for the performer.
There are many personal resonances, which it’s my challenge to confront and release for the audience.
This production uses David Edgar’s adaptation of Ibsen’s classic. What makes this version particularly compelling for a modern audience?
David has brilliantly captured the balance between the original and the days we live in now.
His sense of the Ibsen spirit is released through the immediacy of the adaptation. The text is deeply nuanced and deeply urban, deeply felt.
The Master Builder explores ambition, legacy and the fear of being replaced by a younger generation. Why do you think those themes continue to resonate today?
Why wouldn’t they? It’s the human predicament even in a high-tech world.
Actors feel this acutely, that they will be eclipsed. Especially now, with the turnover of social media careers.
You’re returning to Arcola Theatre for the seventh time in your career. What keeps drawing you back to this venue, and how does it compare to some of the other spaces where you’ve worked?
Arcola is a magical, maverick and dangerous space.
It has a unique identity which is relished by the local and wider community. My spirit of performance is not compromised here. I feel at home and free flying in the same breath.
It’s also a vulnerable landscape, which is vital for creative flourish.
What would you say to anyone thinking of booking to see The Master Builder?
Be prepared to question your value system deeply.
Don’t look for a message or a solution, just enter the hearts of all the characters.
