Ilan Galkoff, known for standout roles in productions like Leopoldstadt and The Secret Diary of Adrian Mole the Musical, now stars in the highly anticipated new play Faygele at Marylebone Theatre.
With a diverse background in stage and screen, Galkoff brings unique perspective and depth to every role, captivating audiences and critics alike.
Faygele explores timely themes and features a talented cast, promising a thought-provoking and memorable theatre experience. Performances run from 30 April to 31 May at Marylebone Theatre.
You’re starring in Faygele at Marylebone Theatre—what can you tell us about the show?
Faygele is a gripping new play, inspired by true events. It follows my character, Ari Freed, through his teenage years – from his Barmitzvah at 13 to his tragic death at 18. Ari is gay, something his ultra-Orthodox Jewish family are unable to come to terms with, let alone be proud of. It’s the story of a young man who just wants to be loved, but is instead pushed towards an early grave.
What drew you to the role, and what was your first reaction when you learned you’d be joining this production?
As an actor, Ari’s journey is challenging to play, making it a really exciting prospect to take on. I found out towards the end of 2024 that I’d be joining the production, and I’ve been eagerly awaiting it ever since!
Can you share some insights into your preparation process for this character, and how you approached bringing him to life on stage?
From the moment I read the script, I knew Ari’s story was complex and important. I wanted to be as well-informed on the subject matter as I could be, so I interviewed a number of people with lived experience of being pushed out of the Orthodox Jewish world. Alongside that, I consumed as much research material as I could. It was also incredibly useful to discuss everything with our playwright, Shimmy Braun, who draws on his own lived experiences throughout the play.
Have there been any memorable or challenging moments during rehearsals that stand out for you?
Without revealing too much, there are moments in the play where the narrative structure shifts, and we hear the story from a variety of different perspectives. These scenes have been particularly challenging to navigate, but we were able to spend time making sure we got them right.
Also, we’ve had some very beautiful weather during our rehearsal period. Getting myself off the Marylebone Theatre’s sunny roof terrace and back into the rehearsal room was definitely a personal struggle…
How does Faygele differ from other productions you’ve been part of, and what do you hope audiences will take away from it?
Anyone with experience of feeling different or out of place will be able to relate to this play, so I hope people from all walks of life can learn from it. It’s different from anything I’ve ever performed on stage before due to the sheer reality of it – the play is pulled from true events which occur all too often in both religious and LGBTQ+ circles. Also, it’s funny! We’ll do our best to make you laugh as well as cry…
What would you say to anyone thinking of booking to see Faygele?
Please come along! Faygele is a really important new piece of theatre, which I think will resonate with a wide range of people. I’d love to have you there!
