Jessica Martin returns to the London stage in the European premiere of Grindr Mom, a fast‑paced solo comedy by writer Ronnie Larsen. The production arrives at Waterloo East Theatre with a story full of heart, humour and unexpected connections.
Known for an impressive career spanning West End musicals, cabaret and television, Martin takes on a role that blends faith, family and queer culture in a uniquely funny and touching way.
Grindr Mom runs at Waterloo East Theatre from 18 February to 1 March 2026, with performances Tuesday to Sunday. Tickets are available here.
You’re starring in Grindr Mom at Waterloo East Theatre, what can you tell us about the show?
The show explores the rollercoaster journey of a mature, conservative Mormon woman who has a close connection with her only son, who is gay. When he says he’s met someone online, she decides to explore the world of gay dating and, most specifically, Grindr. What she discovers completely challenges her belief system, both religious and societal.
What first attracted you to Ronnie Larsen’s script and this particular story?
I read the script in one sitting. It absolutely drew me in and I found the character of “Grindr Mom” compelling and moving.
Ronnie Larsen allows us to see the world from the narrow perspective of a sheltered, religious, naive woman without patronising or caricaturing her. It is a very original, plausible story and as a mother myself I found it relatable.
The show blends humour with themes of family, faith and acceptance. How will you approach balancing those emotional shifts in a solo performance?
This is a one‑woman show, but I am in the skilful and very capable hands of my director, Gerald Armin.
We have explored, and are continuing to explore, the emotional shifts which grow more apparent as we go deeper into the rehearsal process and find the nuances and subtext.
We also have the benefit of playing in an intimate space that allows for a close connection with the audience. The facial expressions and changes in tone have more intensity in the focused space.
You have an incredibly varied career across theatre, cabaret, TV and illustration. How did your past experience shape your approach to this role?
I have never played a character quite like ‘Grindr Mom’, but I have played strong maternal roles including Mrs Blitzstein in the musical Blitz, Bea Asher in Ballroom and several mum roles.
I also performed the one‑woman show Sunset Bitch over several years, as well as regular cabaret, so taking a solo spot in that regard has never been a challenge.
However, performing a monologue with no music for 75 minutes is a learning curve — but a good one — and I certainly feel my 40+ years in the industry and life have given me the experience needed for such a role.
Grindr Mom explores queer dating culture from an unexpected angle. What have you enjoyed most about stepping into this very unique world?
This play is not ‘camp’ or superficial. It has comedic elements, but it is honest and heartfelt, and I think the most enjoyable element is sharing the ‘education’ that the protagonist goes through.
She comes to understand that people who seem different to us have the same fundamental desire to connect deeply with another human being.
What would you say to anyone thinking of booking to see Grindr Mom?
Don’t come with any preconceived notions. Come take the journey and find out what Grindr Mom discovers about the world… and herself!
