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Home Edinburgh Fringe 2018

Pick of The Fringe 2018 (Theatre Part 1)

by Greg Stewart
July 17, 2018
Reading Time: 5 mins read
Pick of The Fringe Theatre

Struggling to choose what to see at this year’s Edinburgh Fringe?  We don’t blame you! With thousands to choose from, it’s difficult to know where to start.  Here’s our first pick of the Fringe for Theatre, we’ve chosen these because we know the company behind the show, or we’ve seen a preview, or just have a gut feel it will be good.  Got your own pick of the fringe? Tell us in the comments below and don’t forget to check out our guide to surviving this year’s Edinburgh Festival.

See all our Edinburgh Fringe Previews

Trump Lear at Pleasance Courtyard

Trump Lear Edinburgh Fringe
Trump Lear Edinburgh Fringe

Aug 1-13, 15-27

       

Direct from its hit New York season, Trump meets Lear in this ‘biting political satire’ (Theasy.com) that’s inspired upon the whims of a madman! From the team behind award-winning Gary Busey’s One-Man Hamlet comes an absurdly funny take on Shakespeare’s greatest tragedy as you’ve never seen it before.

More Details 

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Our Boys at PQA Venues @ Riddle’s Court

Our Boys Edinburgh Fringe
Our Boys

Aug 3-7, 9-14, 16-21, 23-28, 30-31

Updated from the original setting of 1984 to 2010, in the aftermath of what is known as ‘Herrick IX’, the Op name given to the combat operations in Afghanistan in 2008/9, the story follows six young soldiers placed together in a hospital ward as some of them recover from their injuries sustained during combat. Through laughter, anger, joy and despair, this all-new production takes the audience inside the often-closed world of recovery of our servicemen highlighting the unspoken struggles our service men and women can face, showing the strong, unbreakable bonds formed.

More Details 

The Canterville Ghost at Pleasance Courtyard

The Canterville Ghost Edinburgh Fringe
The Canterville Ghost Edinburgh Fringe

Aug 1, 3, 5, 7, 9, 11, 13, 17, 19, 21, 23, 25

       

Oscar Wilde’s gruesomest ghost story, as reimagined by a charismatic compere and his extraordinary company: an illusionist, a comedian and a psychic… When the Otis family move into Canterville Hall, they’re warned about the fearsome ghost that stalks its corridors. But the Otis family are a thoroughly modern bunch. Has anyone warned the Canterville Ghost about them? A darkly comic and marvellously musical show from award-winning theatre company Tall Stories.

More Details

Closer Than Ever at PQA Venues @Riddle’s Court

Closer Than Ever Edinburgh Fringe
Closer Than Ever

Aug 3-7, 9-14, 16-21, 23-27

Discover the span of universal highs and lows faced by us all through the experiences that life throws at us – love, heartache, fear, growing up and growing old – in a brand new production of Maltby and Shire’s musical revue, Closer Than Ever.

More Details 

Feed at Pleasance Dome

Feed - courtesy of Michael Wharley
Feed – courtesy of Michael Wharley

Aug 1-14, 16-27

Welcome to the stimulating world of Feed where emotions are the currency and your passions and fantasies will be indulged… for a price. After the sell-out successes of The Marked and The Fantasist, Theatre Témoin return, bringing their vibrant visual style to the world of click-bait culture, fake news and cyber gluttony.

More Details 

Tipping The Velvet at theSpace @ Niddry St

Review Italia Conti Ensemble's Tipping The Velvet
Tipping The Velvet

Aug 6-11

Marking the centenary of women’s right to vote, Italia Conti Ensemble presents Laura Wade’s adaptation of the groundbreaking Sarah Waters’ novel. A dark, witty and unmissable production taking you through the world of 19th-century Music Hall.

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Tobacco Road at Pleasance Courtyard

Tobacco Road, Incognito Theatre Company - (courtesy of Tim Hall Photography)
Tobacco Road, Incognito Theatre Company – (courtesy of Tim Hall Photography)

Aug 1-13, 15-27

Incognito Theatre Company, winners of the Les Enfants Terribles’ 2018 Greenwich Partnership Award, return to the Edinburgh Fringe with their explosive physical style to tell the story of five resourceful young men and women attempting to carve out a place for themselves in the murky underworld of 1920s London. In the wake of the Great War, can they find the fame and wealth they crave or will their desperate need to belong lead to disastrous consequences?

More Details

Di, Viv and Rose (In an Hour) at C Cubed

Di, Viv and Rose
Di, Viv and Rose

Aug 2-14

Handmade Theatre makes its Edinburgh Festival Fringe debut staging their condensed version of Di and Viv and Rose (in an hour) written by Amelia Bullmore. The production is a humorous and thoughtful exploration of love, loss, sexual encounters and enduring friendships. The relationships that evolves on stage resonates with the topical issues of women joining forces all over the world today.

More Details 

Killymuck at Underbelly Bristo Square

Killymuck - courtesy of Javier Ortega Saez
Killymuck – courtesy of Javier Ortega Saez

Aug 1-12, 14-27

Inspired by real events, Killymuck tells of a housing estate built on a paupers graveyard in 1970s’ Ireland. From Kat Woods, award-winning writer of Belfast Boy (Fringe Review Award for Outstanding Theatre, The Stage Award for Excellence), Wasted (New York transfer as part of the Fringe Encore Award), and Mule comes a powerful exploration of survival – about those who strive to work against the stereotype and break free, about fighting for something better.

More Details 

Harpy at Underbelly Cowgate

Harpy (Su Pollard) - courtesy of Karla Gowlett
Harpy (Su Pollard) – courtesy of Karla Gowlett

Aug 2-12, 14-26

A razor-sharp drama from Fringe First award-winner Philip Meeks (Kiss Me Honey, Honey!), Harpy is directed by Hannah Chissick (Mother Courage & Her Children, Southwark Playhouse; The Beautiful Game, NYMT; Flashdance, UK Tour), and stars national treasure Su Pollard in her Edinburgh Fringe debut.

More Details 

 

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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