• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Punchdrunk Return to London with The Burnt City

by Staff Writer
September 6, 2021
Reading Time: 3 mins read
Punchdrunks The Burnt City Jordan Ajadi Credit Julian Abrams

Punchdrunks The Burnt City Jordan Ajadi Credit Julian Abrams

Punchdrunk are returning to London for the first time since 2014 with The Burnt City. Following a break from the capital, with sell-out international productions and their award-winning foray into TV, with The Third Day, the company are back in their home city to premiere their first major new show since The Drowned Man.

“As the smoke soars on wings to heaven, so sinks our city” In the smouldering promise of the fall of Troy, a mythical world of Gods and mortals rises from the ashes. As Greece teeters on the brink of victory, the neon backstreets of Downtown Troy give way to a sprawling labyrinth hiding secrets even the prophecies could not foretell.

In this colossal playground, the furies watch on as mortals play out their fate. And as night falls, the city comes alive. One last time. On their own theatrical adventure, audiences are free to explore this dystopian landscape – taking them from the majesty of royal palaces to the pulsating underworld of Troy.

       

Audiences may choose to follow the characters who emerge from the shadows, saturate themselves in the show’s shifting atmosphere, or break free of the crowd and discover mysteries lying in wait at the heart of the labyrinth.

A limited season is on sale until 28th August 2022 with previews commencing on Tuesday 22nd March in the company’s new home at Woolwich Works. The official opening will be on Thursday 21st April and tickets go on sale to the general public on Wednesday 8th September at 10am.

You mightalso like

Viola's Room image by Muse

Punchdrunk’s Viola’s Room Extends to November

Punchdrunk s The Burnt City Photo Julian Abrams. Performer Yilin Kong

Punchdrunk’s The Burnt City Announces Final Performance Date

The Burnt City will be Punchdrunk’s most ambitious production to date, opening in the wake of long-running international productions Sleep No More in New York and in Shanghai (where it has been playing to sold out audiences since it re-opened in June 2020 following a Covid pause).

The production reunites the creative team behind Sleep No More and features a cast of international performers, including original members of the first Punchdrunk shows. The Burnt City will take place in the company’s new home in Woolwich Arsenal – taking over three Grade II Listed Buildings as part of the Royal Borough of Greenwich’s new creative district, Woolwich Works.

This will be the first time some of the buildings have ever been opened to the public. The epic size of these buildings offers the company a scale never before seen in a Punchdrunk show with vast heights and over 100,000 square feet of space. Alongside the production, the buildings will be the permanent home for Punchdrunk, as the company develops new works across theatre, TV and gaming.

Punchdrunk is committed to working with the local community including running community events and partnerships with local arts and community groups in the borough, offering support, learning and resources.

       

Performance schedule and ticket information can be found here

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Viola's Room image by Muse
News

Punchdrunk’s Viola’s Room Extends to November

Punchdrunk s The Burnt City Photo Julian Abrams. Performer Yilin Kong
News

Punchdrunk’s The Burnt City Announces Final Performance Date

The Lost Lending Library
Edinburgh Fringe 2023

Punchdrunk’s The Lost Lending Library to play at Edinburgh International Festival

Punchdrunk s The Burnt City Photo Julian Abrams. Performer Yilin Kong
News

Punchdrunk Has Announced A Further Extension To The Run Of Its Hit Show The Burnt City Along With a Documentary to Air on Sky Arts

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The History of (Almost) Everything Tent Tour Illustration by Immy Howard

The History of (Almost) Everything Returns in Oxford Playhouse’s Touring Tent This Summer

I Met All My Friends on Dating Apps image provided by publicist

I Met All My Friends on Dating Apps Embarks on UK Tour This Summer

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly