• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: Animal Farm: As Witnessed by Moses the Raven at Barons Court Theatre

"It’s an engaging adaptation that effectively draws out the pointed lessons in Orwell’s text"

by Maggie O'Shea
October 1, 2026
Reading Time: 3 mins read
Animal Farm As Witnessed by Moses The Raven credit Steve Thewis

Animal Farm As Witnessed by Moses The Raven credit Steve Thewis

Though we all had a good laugh at Andy Serkis’ ill-judged animated take on Animal Farm this year, it did prove that George Orwell’s foreboding fable still has modern relevance. Here writer and performer Dov Citron and director Victoria Waddington offer a more faithful adaptation of the source material, though framed by a different narrator, as hinted by the title: Animal Farm: As Witnessed by Moses the Raven. Taking the reins in this solo show at Barons Court Theatre, Citron offers a commanding and compelling performance, though elements of the narrative sometimes feel a little uneven.

If you managed to skip reading Animal Farm at school, the plot, allegorising the ascent of Russian dictator Stalin, goes as follows. The animals of Manor Farm are inspired by the revolutionary ideas of the esteemed boar Old Major, who dreams of a better life for beasts than farmyard labour. After Old Major’s death, however, the revolution is left in the hands of warring porcine acolytes: thoughtful Snowball and brutish Napoleon. Though the animals succeed in driving out their human overlords, slowly their egalitarian principles are eroded by the increasingly authoritarian rule of the power-hungry and paranoid Napoleon.

Animal Farm features a not insignificant cast of characters, and as sole performer Citron takes on all of them. It’s a powerhouse performance. He flips seamlessly from one character to another, all of them distinct, and his booming, gravelly voice commands the audience’s attention. There’s an inventive use of crowdwork too, encouraging the audience to see themselves in the animals’ place.

The set from Terry ‘Tex’ Gibson also captures attention, significantly more elaborate than the sparse fare typical of small-scale productions. The Animal Farm rules are writ large on wooden planks, ever-changing according to Napoleon’s self-serving whims. Hay is strewn across the stage and propaganda posters line the walls of the auditorium. A scarecrow frowns down at us from a brick column. Paired with the natural features of the Barons Court Theatre, a cellar room with a black vaulted ceiling, it almost feels like a gothic horror.

Though it’s altogether imaginative and engaging, there are ways in which Animal Farm: As Witnessed by Moses the Raven feels slightly uneven. The pacing does not always feel quite right: some crucial passages are rapidly dispensed with, while others are given room to breathe.

You mightalso like

Retrospective at Barons Court Theatre Image Credit Marjorie Phillips Elliott

Review: Retrospective at Barons Court Theatre

Fly Trap image supplied by publicist

Fly Trap to Make UK Premiere at Camden Fringe 2025

The humour doesn’t always work, though the jokes are funny enough (of course, animal impressions will inevitably result in a certain amount of comedy). It’s more that the humour doesn’t always sit well alongside the darker themes of the show; campy caricatures are an odd bedfellow for Orwell’s sombre morality tale.

Citron mentioned a hope for Animal Farm: As Witnessed by Moses the Raven to tour schools, and it’s easy to believe this would work well; it’s an engaging adaptation that effectively draws out the pointed lessons in Orwell’s text. Though the show might benefit from further refinement of the pacing and tone, thanks to its strong central performance it is nonetheless highly watchable.

Listings and ticket information can be found here

Maggie O'Shea

Maggie O'Shea

Maggie O'Shea is a London-based layabout who likes going to the theatre, writing reviews, playing sport and tickling the ivories (ideally not all at the same time).

Related Articles

Retrospective at Barons Court Theatre Image Credit Marjorie Phillips Elliott
Reviews

Review: Retrospective at Barons Court Theatre

Fly Trap image supplied by publicist
News

Fly Trap to Make UK Premiere at Camden Fringe 2025

Voila image supplied by publicist
News

Voila! Theatre Festival 2025: Call for Proposals

Les Kenny Green and Becky Black. PHOTO CREDIT Leo Bacica
Reviews

Review: Three Queens at Baron’s Court Theatre

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Charlie Cox (Photo by Brian Bowen Smith) and Blake Harrison Images supplied by publicist (1)

Full casting announced for world premiere of The King’s Ransom at Donmar Warehouse

Josh Finan Credit Ruth Crafer, Reece Shearsmith Headshot and Hugh Skinner credit Rankin Images supplied by publicist

Reece Shearsmith, Hugh Skinner and Josh Finan join guest artist line-up for An Oak Tree at The Other Palace

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly