• Review For Us
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Last Minute
    • Cinema
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
    • Attractions
  • Contact Us
No Result
View All Result
Theatre Weekly
  • Home
  • News
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Last Minute
    • Cinema
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
    • Attractions
  • Contact Us
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: The Claim at Shoreditch Town Hall

Sebastian Calver by Sebastian Calver
February 20, 2020
Reading Time: 3min read
The Claim at Shoreditch Town Hall Review

The Claim at Shoreditch Town Hall Review

Tim Cowbury’s The Claim is directed by Mark Maughan, Shoreditch Town Hall being the location, originally seeming a suspect location for an intimate piece; especially after Kneehigh’s Ubu as my preceding Shoreditch Town Hall rendezvous. However, the space is far more effective than I could have imagined: walking into an uncluttered stage monopolising on the use of the round to extract the exposure Cowbury’s themes require.

The Claim appears to be the story of ‘Serge’, who is played by Tonderai Munyevu, but is quickly undermined by the ignorance of ‘A’ and ‘B’, played by Nick Blakeley and Indra Ové: 2 very distinct gate keepers of Asylum for Serge who is being challenged beyond his capability to defend himself. The most effective and striking detail to Cowbury’s text and an accolade to Munyevu’s powerful performance is the shamefully honest logic behind Serge’s intentions – I feel physically embarrassed to live in a country with such a silly rulebook.

Maughan breaks the fourth wall to share stories and the power of storytelling by embellishing said stories with a personal, intimate connection with the final performer (the audience). ‘A’ and ‘B’, our ‘officials’ upholding the rules continuously lose our support as their questioning develops into a stern interrogation. His stage craft and manipulation of the space to keep an audience in the round engaged is creative and impressive showing great skill.

The relationship games between Munyevu, Blakeley and Ové are, for the most part, engaging and truthful. Blakeley finds a perfect through line of sensitive charm before flipping it on its head to creative stiff tension and suspense. His playful temperament with the audience is a gift. Similarly, Ové’s status is very quickly established giving us the incentive to despise her cruel and subversive behaviour.

Munyevu’s connection to the text is one of ease to great effect. He charms us very quickly and enjoys a youthful energy giving us the dynamic required for later friction. His ability to let the problem drop in and respond honestly renders us heartbroken. Munyevu also does well not to fall into the trap of end gaming or commenting on his achievement and gives back to Ové and Blakeley with detail.

You mightalso like

Playwright Crisis Support Programme

Playwright Crisis Support Programme Cohort Announced and HighTide’s Submission Window Reopens

Mark Maughan

Interview: Mark Maughan on The Claim at Shoreditch Town Hall

It is is too easy to paint a picture of The Claim as a thrashing of the Asylum system. Cowbury has given the story a one sided view which has me pitying ‘A’ and ‘B’ who, in the real world, have a job to do and play by the rule book written by whoever writes rule books; therefore I find it is unfair to judge them too harshly.

The Claim runs from 18th February to Saturday 7th March at Shoreditch Town Hall. It is a powerful message of what a backwards society we live in.

 

1 of 4
- +
Indra Ove Tonderai Muneyvu and Nick Blakeley. Credit is John Hunter
Indra Ove Tonderai Munyevu and Nick Blakeley. Credit is John Hunter
the claim dress rehearsal
Tonderai Munyevu Indra Ove. Credit John Hunter
ADVERTISEMENT

1. Indra Ove Tonderai Muneyvu and Nick Blakeley. Credit is John Hunter

Indra Ove Tonderai Muneyvu and Nick Blakeley. Credit is John Hunter

2. Indra Ove Tonderai Munyevu and Nick Blakeley. Credit is John Hunter

Indra Ove Tonderai Munyevu and Nick Blakeley. Credit is John Hunter

3. the claim dress rehearsal

the claim dress rehearsal

4. Tonderai Munyevu Indra Ove. Credit John Hunter

Tonderai Munyevu Indra Ove. Credit John Hunter

Summary
Reviewer
Sebastian Calver
Review Date
2020-02-20
Reviewed Item
The Claim at Shoreditch Town Hall
Author Rating
41star1star1star1stargray
Event
The Claim at Shoreditch Town Hall
Starting on
February 20, 2020
Sebastian Calver

Sebastian Calver

Sebastian is an offie nominated actor recently graduated from East 15 Acting School on the BA(Hons) Acting programme. He is currently studying an MA in Musical Theatre at The Royal Academy of Music. His favourite play is Andrew Bovell's 'Things I Know to be True' and his favourite musical is Shaina Taub and Kwame Kwei-Armah's 'Twelfth Night' at The Young Vic

Related Articles

Playwright Crisis Support Programme
News

Playwright Crisis Support Programme Cohort Announced and HighTide’s Submission Window Reopens

Mark Maughan
Interviews

Interview: Mark Maughan on The Claim at Shoreditch Town Hall

Daniel Bye and Boff Whalley photo credit Casey Orr
News

The World Première Of These Hills Are Ours to Open At Shoreditch Town Hall

The Claim Shoreditch Townhall
News

Full Cast Announced For The Claim At Shoreditch Town Hall

Grayson Perry portrait by Thierry Bal
News

Shoreditch Town Hall Announces Grayson Perry: The Handlebars Of Life A Talk In Aid Of Sustrans

WeAreArrested arcola Theatre
News

Full Casting Announced for #WeAreArrested at Arcola Theatre

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

Follow Us

  • The Barn Theatre will be releasing an archive recording of their 2019 Built by Barn production Daddy Long Legs for a limited number of dates over the Valentine’s Day and February half term weekends @thebarntheatrecirencester #Theatre #TheatreWeekly #LondonTheatre #daddylonglegs #jeanwebster #johncaird #kirstiedavis #paulgordon #rebeccajaynedavies #ryanbennett #thebarntheatre
  • Canterbury’s newest arts venue, The Malthouse Theatre, will play host to a dazzling pantomime this Christmas with a glittering new production of Beauty And The Beast #Theatre #TheatreWeekly #LondonTheatre #beautyandthebeast #josephhodges #paultate #themalthousetheatre
  • West End star Danielle Steers who appeared in Jim Steinman’s monster hit stage musical Bat Out of Hell, is releasing The Future Ain’t What It Used To Be, an intimate album of nine Steinman songs @misssteers #Theatre #TheatreWeekly #LondonTheatre #batoutofhell #daniellesteers #jimsteinman #thefutureaintwhatitusedtobe
  • Queen’s Theatre Hornchurch has announced the world premiere of a new everyday comedy, Sharon
  • Without Walls, a unique network of over 30 festivals that brings outdoor arts to people across the UK, welcomes three new partners: Timber Festival, Certain Blacks and The Culture House @withoutwallsconsortium #Theatre #TheatreWeekly #LondonTheatre #certainblacks #theculturehouse #timberfestival #withoutwalls
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, Kemp House, 152 - 160 City Road, London EC1V 2NX
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Daddy Long Legs c. Evoke Pictures

The Barn Theatre Production Of The Musical Daddy Long Legs To Be Streamed Online

Paul Tate Beauty and The Beast

Beauty and The Beast to Run at Canterbury’s Malthouse Theatre in 2021

© 2020 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
  • Reviews
  • Interviews
  • Contact Us

© 2020 Theatre Weekly

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Cookie Policy.